Longchamp Le Pliage

2008 marked the 60th year of Longchamp’s existence. This classic French brand has had its fair share of elegant marketing and products. Today it is well known for the beautiful designs, both in canvas and in leather. But that is not how the company began.

In 1948, Jean Cassegrain inherited his family tobacco shop and with his great inventive mind, decided to cover the pipes in leather. The leather covered pipes began to take off and become a luxury item that no one could get anywhere but Cassegrain’s store. He had to pick a name for his shop and so he settled on Longchamp. He would walk by a horse race track in Paris that was called Longchamp, translating as « long field » and he decided that would be a good name for his new leather company. Longchamp eventually expanded to purses, leather goods, and many other accessories.

Philippe Cassegrain (Jean Cassegrain’s son) is currently the head of the Longchamp Company. The accessories that company creates continue to expand. Longchamp has continued the tradition of designing top quality pieces that are both stylish and classy. longchamp – HANDBAGS – from aound;100 to aound;200 – The Telegraph Fashion Shop

In 1993, Longchamp introduced its « Le Pliage » line, a collection of foldable travel bags made of vinyl and leather trim.

Longchamp’s most popular line is the Le Pliage collection. There are several reasons for its popularity among both teenagers and adults. While the bag may seem pricy compared to other generic bags on the market, the price point is very reasonable considering the craftsmanship and allure of the Longchamp brand. It’s great to be able to own a quality bag that is both beautiful and practical.

The Longchamp Le Pliage collection includes a canvas surface that makes clean up a breeze. The bag also folds up and snaps closed to a very convenient small traveling size when not in use. Leather accents on both the handles and top flap give the items within the Le Pliage collection a signature and stylish look that has an international appeal. The quality and style of the Le Pliage collection is recognized and enjoyed worldwide.

Pliage is French for « fold », which is exactly what this flexible bag can do. It literally folds up into a small pouch that can be stored anywhere and is perfect for travel. Le Pliage comes in a variety of colours and ranges in size from a cosmetics bag to a small handbag to an oversized duffel.

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Almost every season there is an interesting collaboration with contemporary artists and celebrities, who create their prints for Le Priage.

Each bag is made in France from a satiny durable nylon and is accented with rich brown leather handles. It is so well designed that you can carry just about anything in it and it still feels light and comfortable.

Longchamp Le Pliage Shoulder Tote

Kate’s Longchamp Le Pliage shoulder tote is one of her staple bags. The Duchess has been photographed carrying it on a number of occasions, including throughout the 2012 London Olympics.

You’ll often see Kate carrying her Longchamp Le Pliage bag on shopping trips too, usually in candid photographs. Most recently, Kate carried the bag during her outing buying bits and pieces reportedly for Kensington Palace.

The Le Pliage bag, apparently, was inspired by the Japanese art of Origami. It is made from nylon, trimmed in Russian leather and comes in a wide variety of colours to suit all seasons.

The bag is roomy and perfect for carrying all your essentials! A great all-round bag, the Pliage will suit college students lugging books around from class to class, parents who need a Mary Poppins style bag to carry everything apart from the kitchen sink and those full time workers who want to pack a spare change of clothes for the pub after work on a Friday night and STILL have room left over for their lunchbox.

Where to buy the Longchamp Le Pliage Shoulder Tote:
The Le Pliage tote bag can be purchased from a number of retailers, including directly from Longchamp.com. I’ve selected some of my favourite colours and styles from Nordstrom and Bloomingdales. longchamp – HANDBAGS – up to sound;50 – The Telegraph Fashion Shop

About the Longchamp Le Pliage bag:
Bloomingdales describes the Longchamp Le Pliage bag as follows:
Longchamp’s signature nylon tote in a large size lends sophisticated chic to every look, from city jaunts to weekend getaways. Folds up for ease during travel.
Double shoulder straps
Front flap with snap and top-zip closures, interior pocket
Unlined. Nylon with leather trim. Imported
13″W x 13″H x 7.5″D
10″ drop
Measurements reflect bag when fully opened

Do you own the Longchamp bag? Would you consider buying it – and if so, why? For college? Work? Family? Let me know in the comments section below! Also, do provide links to pics of you with your bag if you like!

Style scoop: Uniqlo, Celio, Longchamp, H&M

GET LUCKY WITH PHARRELL. Fancy a healthy dose of style from the one and only Pharrell Williams? Pop by a UNIQLO store today and check out his collaboration line, i am OTHER, with the Japanese retailer. Williams worked with UT’s creative director, Nigo, and came up with a line of men’s tees in 14 colours and patterns, as well as seven styles of baseball caps each emblazoned with a personal message from Williams. T-shirts are retailing for S$24.90 and baseball caps are priced at S$29.90 at selected UNIQLO stores.

POLO PARTY. If you love your polo tees, you’d do well to head over to Celio’s stores this weekend. Until May 20, simply purchase one polo shirt and get a lower-priced polo for free. Celio’s polo T-shirts are priced from S$33.90 to S$53.90 each. At all Celio stores.

PERSONALISED PERFECTION. You can now personalise your very own Longchamp Le Pliage Cuir leather bag exclusively at the brand’s boutique at Paragon. Pick the perfect size (small, medium or large) and choose from colours such as pink, indigo, lemon, orange, taupe, vermilion and black for the bag as well as the flap, handles, tabs, shoulder strap and lining. You can also add your initials on it after you’re done with the process. Longchamp Le Pliage Cuir Personalised is available until June 30 at Longchamp Paragon. Prices start from S$890 and the bag will be delivered to you in four to five weeks.

SUMMER STYLINGS. The second drop of H&M Loves Music lands in stores next Thursday, and will see a colourful myriad of bohemian sensibilities and festival-ready looks for both men and women. Short-sleeved Hawaiian-print shirts, graphic-print tees, denim shirts, espadrilles and accessories fill the bulk of the men’s range, while distressed denim cut-offs, floral T-shirts, dainty frocks and tunic tops are some of the key women’s pieces you can find in stores next week. Prices range from S$5.90 to S$59.90 at all H&M stores.

Longchamp Bag Review

I have to admit, I take a lot of inspiration from life, and friends. I first saw a review like this on my friend Jade’s fashion Blog . I love her blog and she’s got a lot of great tips and ideas. So, today, I’m doing a review on an iconic bag that can basically be worn during any season.

Price: $125 at nordstrom.com
Sizes: Small, Medium,Large
Material:Nylon.Leather
Dimensions: 9 3/4 inch W x 9 3/4 inch H x 5 1/2 inch D(measures small)

Longchamp is an iconic brand that was founded in 1948, and became legendary for their light weight handbags. The handbags are portable, and they are very user friendly. It may seem expensive for $125(since it’s brand name) but the quality is great too. These bags may seem small on the outside, but they are quite spacey and convenient from the inside. I recommend a medium sized one, since the price may vary by size. If you want the full leather versions, they are usually around $300-$600.

This is the classic and bestselling look, called the « Le Pilage ». It has a top zipper with a leather snap, and the handle drop is 8 inches. This bag can be folded up, at a remarkable one inch, so you can carry it with you anywhere you want to go. This handbag is also waterproof, so it can be suitable for all women on all occasions. The bag is also iPad friendly.

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I’ve seen these bags at airports a lot, and the pockets are located right where you want them to be. They also include a strap to attach your keys on so you don’t have to go digging for them.

This bag comes in various colors;Billberry,Black,Chocolate(brown),Deep red,Indigo,Natural,Paprika,Slate,Sunshine,White. (Some unique names right?)

I recommend this bag to any girl who wants to be one step ahead, or their new years resolution was to be more organized. To me, this bag is suitable for all personalities. Also check out the entire collection from small leather goods, to more handbags!

Jeremy Scott gets digital for Longchamp

If you’ve been on a Southern California college campus recently, chances are you’ve seen a sort of accessory uniformity among the female students. Layers of chunky jewelry clank and chime in the hallways, Tory Burch flats crowd the pathways and the signature Longchamp Le Pilage handbag is a campus staple, seen plopped down on classroom desks in every color.

Taking into account its success with the college crowd, it’s only fitting that the new Jeremy Scott for Longchamp Le Pilage bags feature a colored computer keyboard print. The bag design, inspired by the growing digital world, is Scott’s 12th collaboration with Longchamp. The bags, which retail for $355, are slated to hit Longchamp stores by the end of this month.

Scott’s keyboard design showed up in his New York Fashion Week fall 2012 presentation when a male model walked the runway in a shirt and pair of pants covered in the colored keys.

Coco Rocha’s Longchamp Campaign Conjures King Kong

Spicing up ad campaigns is the perennial problem of the fashion world. How do you grab people’s attention when there’s so much eye candy elsewehere in fashion magazines?

Longchamp’s latest campaign might do the trick. They’ve enlisted Coco Rocha to model their stylish goods for the fourth consecutive time, and they’ve shaken up the art direction. Rather than go for standard proportions, Longchamp’s urban ads depict Rocha the same size as the skyscrapers that surround her. We get it: The girl’s got legs for days.

Despite how pretty and clean-cut the shots are, we can’t help but think that they were inspired by King Kong — you know, that giant movie monster with an affinity for climbing buildings. Hey, at least this time we know it was Photoshop…

Kate Moss launches bag collection for Longchamp

Kate Moss, supermodel extraordinaire, has added yet another lucrative deal to her expanding business portfolio.

The model-designer, property « tycooness » and sometime rock ‘n’ roll singer, who celebrated her 36th birthday earlier this month, has designed her first handbag collection for the French, luxury leathergoods brand, Longchamp, famous for its foldaway ‘Le Pliage’.

She has been the ‘face’ of the brand for several seasons, and has often been photographed with its bags. But this is the first time she has put her name to a range. The Kate Moss for Longchamp collection was launched in Paris last night when Kate hosted an intimate party for 700 at The Ritz.

Guests included Jamie Hince, Kate’s fiancé, who proposed earlier this month while the couple were in Mustique for a fashion shoot; Carine Roitfeld, the editor-in-chief of French Vogue; the designer, Giambattista Valli; the former ‘muse’ of Yves Saint Laurent, Loulou de la Falaise; the Longchamp family; and rock ‘n’ rollers such as les Plasticines and the Queens of Noize, who performed a live set.

The collection will be launched in London, on Thursday, February 11th, at the Longchamp Boutique, 28 New Bond Street, London W1 (020 7493 5515) and exclusively at ‘The Wonder Room’, at Selfridges, Oxford Street, W1 (0800 123 400).

Kate’s collection is made up of 12 different styles, each one named for one of her favourite haunts in London, such as Soho, Ladbroke, Goldbourne and Gloucester, as well as Glastonbury.

Kate, whose collection for the Topshop chain has been a multi-million pound, soaraway success since she first launched it in the spring of 2007, also recently launched her fourth perfume, Vintage.

Category: shopping

Air Jordan 6 CELEBRATION COLLECTION

It’s hard to remember a weekend that was this full of must-have launches left and right. Sure, part of that owes to the Air Jordan 11 Low Infrared, but there’s a certain duo of drops that may even be more anticipated — the Air Jordan 6 Celebration Collection release date is set for tomorrow, June 14.
You know the drill by now, surely. (Check out more here, though.) Each shoe sports jaw-droppingly premium leather builds inspired by two famous Michael Jordan celebratory accessories — the brown pair a cigar, the green pair a champagne bottle — with beautifully contrasting accents and championship ring-inspired lacelocks.

Each hits retailers tomorrow, sold separately at $250 apiece, though still almost certainly destined for instant-sellouts. (I mean, look at them.) Nike.com will stock the shoes at 10am EDT, TWO HOURS LATER than their usual 8am.

However, Eastbay.com will still launch their stock at 8am EDT Saturday morning. Air Jordan XVIII – 2003 – Air Jordans Through The Years – Photos – SI.com

Air Jordan 4 OREO | Another 2015 Remastering

In 2015, Jordan Brand will undertake a “remastering” of the Air Jordan retro line that will have far-reaching consequences — namely better shoes for the consumer. The project is predicated on bringing a more authentic style to every retro Air Jordan, meaning materials, construction and everything else created to resemble the original Air Jordan models as closely as possible.
Higher quality leather? Check. Throwback branding, including fingers and laces on the Jumpman? Check. And so on. And one of the first shoes to get that premium treatment is this one at which we get a close look today, the returning Air Jordan 4 Oreo.

Embracing the acclaimed albeit long-gone looks of the classic retro+ colorway — it’s been absent from retailers since 1999 — the shoe sports a premium black tumbled leather upper from heel to toe, including the perforated variety in the side-panel in lieu of the IV’s typical netting.

Pale grey affords a level of contrast here and there, along with the speckled white midsole that lends the shoe its moniker.

Look, the nickname’s terrible, as are most sneaker sobriquets, but the looks remain strong a decade-and-a-half later. Does this shape up as one of 2015′s must haves? Expect it in the Spring 2015 collection.

Air Jordan 10 RED CEMENT | Another Remastered Retro

“The Air Jordan 10 Red Cement,” in which we preview another of the upcoming “remastered” retro Air Jordans, this one sporting a premium red leather upper, contrast black tumbled leather at the eyestays, tongue and collar, and pale but striking grey outsole. It’s among the first in the Air Jordan retro overhaul that’ll see materials and styling as close as possible to the original models.
Actually . . . that’s it. Check out a few more shots below, and stay tuned for plenty of updates as the days tick away. At the moment, the shoe is slated for a launch with the Spring 2015 collection.

Air Jordan 3 Black/Sport Blue | Early Looks

The Air Jordan 3 Black/Sport Blue release date is set for August 16th, but you need wait no longer to get another glimpse of the hotly anticipated new colorway.
Seemingly taking the “Black Cement” III and adding in a bit more color, the shoe sports a black tumbled leather upper, with black-on-grey Elephant print on the heel and toe, pale grey on the tongue and collar, and the eponymous shade of bold blue adding pops of color on the eyelets, midsole and liner.

All in all, it seems like the perfect sartorial compromise — a nod to the classics, with a new twist to keep things fresh. Chalk it up as a must-have?

Air Jordan 4 TEAL | First Look at Another Remastered IV

As we reported earlier this week, Jordan Brand is remastering its Air Jordan retro line starting in 2015. That means all future retro Air Jordans will feature construction, materials and styling that’s as similiar as possible to the original model, ramping up quality and making the shoes true throwbacks. As fate would have it, the Spring 2015 collection will be chock-full of Air Jordans 4, 7 and 10, so those will be the first remastered models. And today we get a glimpse at one of said IV’s — the Air Jordan 4 Teal.
The official colorway-name and launch info are still pending, but one thing is clear: the good looks are strong with this one. A deep teal covers the shoe’s premium leather build, set off by brighter tonal netting and accents, while black subtly complements on the heel, wing and parts of the midsole.

It’s not an OG colorway of course, but the easy mix of bold tones and subtle contrast makes it an unmitigated success all the same. Stay tuned for further information.

Air Jordan 11 Low Black/Infrared 23 | Three More Days

Boasting the sleek, stylish cooperation between fashion and sport that’s only afforded by black patent leather, the Air Jordan 11 Low Black/Infrared 23 releases this weekend. But you probably already knew that.
That stealthy patent leather mudguard wraps a black Cordura mesh upper, before a light grey leather heel starkly contrasts. Red then offers a pop of color, appearing on the branding and the translucent outsole’s traction pattern, but that, too, is general knowledge.

So, yeah . . . I guess we’re like CNN and the plane at this point. Check out another round of shots below, and grab the shoe at retailers on Saturday.

Air Jordan 3 Wolf Grey | Another Detailed Look Air Jordan X – 1995 – Air Jordans Through The Years – Photos – SI.com

It’s been awhile since we’ve dabbled in Air Jordan 3 Wolf Grey photos. For no good reason, either; it’s one of the year’s more highly anticipated new retro+ colorways, and the release is slowly but surely nearing. So today, this round’s on us.
Bringing a clean, crisp neutrality to the palette — one that offers good looks, but keeps the focus on the iconic design — the shoe sports tumbled grey leather throughout the upper, set off by black on the heel and collar. Silver-in-black Elephant print then adds a pop of flair on the heel, toe and eyestay, a new take on the beloved pattern, while a smoky outsole deftly completes the look.

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Believe it or not, after months of waiting the Wolf Grey III is now barely a month away, set to hit retailers July 19. Keep it locked to NB for further information and potential updates, and check out a slew of photos below, courtesy of MS.

More of Saturday’s Air Jordan 11 Low INFRARED 23

We’re in the end days here. The Air Jordan 11 Low Infrared 23 releases in under a week, the final lowtop XI of the year, although thankfully not the year’s final XI of any sort. (Midtop AJ11 Columbia in December, remember.)
Think of it as a “Space Jam” spinoff of sorts: Same commitment to black on the patent-and-mesh upper, but lower and a bit more colorful thanks to grey leather on the heel, and red traction on the icy outsole. Granted, the lowtop isn’t the classic XI style, but summer is upon us; when better to lighten up your kicks a bit?

Grab a pair this Saturday, with retailers nationwide stocking them and likely selling out nearly instantly. Plan accordingly. Details and plenty of photos below.

Air Jordan 6 Black/Infrared Release in 2014?

The Year of the VI continues with another unmitigated classic, albeit reportedly not for another several months. The Air Jordan 6 Black/Infrared will certainly get its time in the sun in 2014, and probably on Black Friday.

It’s fitting that the year’s biggest shopping day would feature the shoe, as the Black/Infrared VI will likely wind up being one of the year’s most anticipated. Launching solo for the first time since the turn of the millennium — it hit stores in 2010 too, but came packaged with its white counterpart — the shoe remains stylishly faithful to the original.

Buttery black nubuck builds out the upper, with light red accents appearing on the heel and midsole, and a translucent blue outsole. If you’re scoring at home, the shade of red skews fairly light, perhaps of the “Infrared 23” variety.

Further details as they develop, but start targeting late November.

Jordan Brazil Pack Release Date, Official Photos

The 2014 World Cup, hosted by Brazil, finally kicks off this week, with the first match scheduled for June 12. And while Jordan Brand’s primary interest is the basketball court, they’re set to crossover to the pitch and honor that most important of sports events with the Jordan Brazil Pack. Today we get our best look yet at the duo.
The pack is comprised of two models, the Air Jordan 6 Brazil and Jordan CP3.VII AE Brazil, each of which accent black uppers — leather on the VI, synthetic on the CP3 — with Brazil-appropriate shades of green and yellow.

A true pack — ie both shoes are sold together — the Jordan Brazil Pack release date is set for June 21, with retail set for $500. An apparel collection supporting the shoes will launch June 12 to coincide with Brazil’s World Cup-opening match against Croatia.

Air Jordan 6 “Celebration” Pack Unboxing

As two of the most expensive singular Air Jordan releases of all time, you should probably do your homework before you purchase either of the $250 kicks included in the Air Jordan 6 “Celebration” Pack. Dropping individually this upcoming weekend, these high-class Air Jordan 6 designs are inspired by the cigar and champagne favorites of Michael Jordan and his NBA Championship celebrations. With unique materials and exquisite detailing, it takes more than stock photos to appreciate these premium pairs. Get a video preview of the entire collection down to its packaging in our latest Unboxing.

Jordan Future Black/White

The black and white edition of the Jordan Future is almost here. Following an initial rollout with glow-in-the-dark soles and multicolored uppers, the Jordan Future Black/White continues the model’s recent trend of two-tone compositions. Simplistically styled with a solid black woven upper and a translucent black outsole, the only contrast comes from a pure white midsole, gold lace tips, and a gold Jumpman logo on each tongue. Get an up-close and personal look at the black and white Future below, and tell us if these are on your list of kicks to cop this weekend in the feedback space underneath.

Air Jordan 3 “Colorado Rockies” PE Cleat

One of the rare Air Jordan retro cleats that is frequently spotted on the diamond is now available for purchase on eBay. Spotted today is the Air Jordan 3 “Colorado Rockies” PE, a rare and exclusive mile-high cleat makeup of the famed Air Jordan 3. Produced to pop with either Colorado’s home or away button-ups, these cleats feature a deep purple upper with cool grey elephant print and accents. Get a closer look below, and if you’re a size 11 or a Rockies fan, pick these up.

Air Jordan XX8 SE “Red Velvet” Maya Moore PE Available in Charity Auction

Bonafide benefactress Maya Moore is back to her giving ways, putting her special Air Jordan XX8 SE “Red Velvet” PE up for auction to benefit The United Way. Recently received in celebration of her 25th birthday on June 11th, Moore’s Air Jordan XX8 SE is inspired by her favorite red velvet cake dessert. Bringing the party to the court, the reigning WNBA Champion donned these tasty exclusives over the weekend against the Phoenix Mercury. The makeup of these celebratory Air Jordans feature a deep-red and white upper, finished off with a speckled midsole and the “MM” logo on the tongues. Get a better look at the size 12.5s below, and bid generously on these game-worn one of ones for charity here.

Jimmy Rollins Wears New Air Jordan 13 PE Cleat

Last week against the Cubs, Jordan Brand slugger Jimmy Rollins became the Phillies all-time hit leader. He made history in an all red-rendition of the Air Jordan 13 Cleat, playing to team tones and matching his Jumpman branded batting gloves. Yesterday, JR continued his kick streak by breaking out a Red/Grey AJ 13 Cleat PE. Fans of Base Kicks may recall that JB has a long history of rewarding their stars on the diamond with new cleats to celebrate their accolades, seen on the Air Jordan 11 PE made for CC Sabathia. Get a look at Jimmy’s cleats below, and congrats to Mr. Rollins on breaking the franchise record.

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Air Jordan 1 Retro High OG “Gym Red” Release Date

The Air Jordan 1 Retro High OG “Gym Red” blends the most topical, tonal take on the model with team shoe styling. An all-red upper is reminiscent of you-know-whose shoes, with white branding and midsole contrast departing from the drenched do-up. Leather and suede keep it classic, with nylon nuances playing to a vintage aesthetic. Get a preview of this pair in the photo above and look for this Air Jordan 1 to launch at select Jordan Brand accounts on June 28th.

Air Jordan 6 Black/White Set to Release?

June 2014 has been the month of the Air Jordan 6, with the soccer spotlight inspiring a “Brazil” makeup, and the launch of both “Champagne” and “Cigar” renditions of the model. Today, we get a first look at a brand new style code that could be an upcoming design on the schedule. First snapped by @bilskii, this Black/White Air Jordan 6 is straight forward with a black suede and leather upper, sitting on top of a white speckled midsole and ice blue outsole, bearing striking resemblance to a custom AJ 6 for Andy Oliver that we featured three years ago. Get a better look at the latest prospective Air Jordan retro below, and tell us what you think of the colorway in the feedback space underneath.

Category: sportif

Marc Jacobs Packing His Louis Vuitton Bags After 16 Years

Marc Jacobs, one of the greatest American talents to conquer the perilous stage of French fashion with a 16-year career as the designer of Louis Vuitton, during which he produced megahit accessories and elaborate runway spectacles, is leaving the company to focus on his signature business in New York.

Bernard Arnault, the chairman of the luxury conglomerate LVMH, said on Wednesday that the company has come to an agreement with Mr. Jacobs and that it plans to take the Marc Jacobs company public, possibly within the next three years. The Marc Jacobs business has been majority owned by LVMH for the last decade, and a public offering was described as a strategy to separate the Jacobs business from LVMH without requiring the designer to raise equity or take on other partners.

“When we started together, Marc Jacobs was a tiny little business of around $20 million,” Mr. Arnault said. “Now the totality of sales is approaching $1 billion. It has been an enormous growth.”

Mr. Arnault and other members of the Arnault family, including his daughter, Delphine, an executive vice president of Louis Vuitton, attended the company’s runway show on Wednesday morning, when reports that Mr. Jacobs, 50, would leave the company were first confirmed. Now Screening | Louis Vuitton – Video – NYTimes.com

And it was clear to guests the moment they walked into the show, held in the Cour Carrée of the Louvre, that it was intended as a statement that it was Mr. Jacobs’s last. Inside a large tent built especially for the show was a stage that included several elements from his elaborate shows of seasons past: a functional carousel on one side, a bubbling fountain on the other, as well as escalators, two antique elevators and a large railway station clock, a memory from a show in March 2012 during which a full-scale model train pulled onto the runway, and the floor of a hotel from last year’s show in March.

All of it was painted black.

“It’s like a funeral,” said Edward Enninful, the fashion and style director of W magazine, as he entered the show.

The show was also an exquisite romp through the history of Mr. Jacobs at Vuitton, described by the designer as a tribute “to the showgirl in all of us,” with a combination of elaborate feather headdresses and black evening gowns with sheer insets and American sportswear looks, including loose jeans, football uniform pants and a varsity jacket that said “Paris” on the back. It began with a model who wore a transparent bodysuit with the name of the label written all over in a repeating black graffiti-style logo that was originally created by Stephen Sprouse for a Vuitton handbag design in 2000.

Those intentionally defaced handbags were both a metaphor for Mr. Jacobs’s irreverent approach to stuffy French fashion, and also among the most successful in the history of the company. Although a risky move, they re-established the label as a luxury powerhouse and spawned an international craze for Vuitton bags.

At the end of the show on Wednesday, Anna Wintour, the editor of Vogue, led a standing ovation, an exceedingly rare event at fashion shows, and she was soon joined by the entire American press, as well as the Arnault family.

Backstage, Mr. Jacobs was ebullient, but he would not comment on his exit, beyond saying: “Farewell? I never say farewell.”

His departure had been expected for several months, though it was not clear until Wednesday that he was definitively leaving.

While Vuitton executives had been preparing for just that event, and are said to be courting the former Balenciaga designer Nicolas Ghesquière as a successor, they had simultaneously continued discussions with Mr. Jacobs until as recently as September. Last week, Reuters reported the fate of the contract negotiations, which began in January, was in doubt and noted the significance for a label that accounts for annual sales of nearly 7 billion euros (about $9.3 billion) and more than half of LVMH’s operating profits. Louis Vuitton’s growth, after years of annual gains of 10 percent or more, has slowed to 5 to 6 percent this year, while LVMH has not kept track with the broader European luxury sector, the Reuters report noted.

Also last week, Vuitton announced that it had hired Darren Spaziani, most recently the director of accessories at Proenza Schouler in New York, to develop a higher-end collection of accessories. Mr. Spaziani had also worked previously with Mr. Jacobs at Louis Vuitton and with Mr. Ghesquière at Balenciaga, prompting further speculation that a bigger change in creative direction was in the works. Editors and retailers reacted positively to the news after the show.

“Marc is absolutely significant to fashion,” said Ken Downing, the fashion director of Neiman Marcus. “But as we have seen at many other houses, designers have taken a hiatus or been replaced by other talents.”

“Fashion is an industry of change,” he added.

Mr. Jacobs, after a famously ill-fated early career at Perry Ellis, started his signature company 20 years ago and joined Vuitton in 1997 at the beginning of a period of rapid growth in the luxury sector. The period also marked the beginning of an intense competition between the two major luxury conglomerates, LVMH and Kering (formerly known as PPR, and before that Gucci Group), as they acquired virtually every historic fashion brand in Europe, as well as some in the United States. COMPANY NEWS; LOUIS VUITTON DENIED INJUNCTION AGAINST DOONEY sBOURKE – New York Times

Mr. Jacobs’s tenure at Vuitton became one of the most successful revivals of a historic French house, and the longest-running, apart from Karl Lagerfeld at Chanel and Fendi, spawning what has become a standard business model to place contemporary designers at fashion labels. While Vuitton’s ready-to-wear has become a substantial business, its accessories have been the most important money makers for LVMH, including collaborations with Mr. Sprouse and the artists Takashi Murakami and Richard Prince.

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The departure of Mr. Jacobs, who is also seen as a potential successor to Mr. Lagerfeld at Chanel someday, also comes during a Paris season that has been filled with great fashion moments and even greater intrigue. Executives on both sides have said privately over the last week that there had been tension between the designer and LVMH, with each side leaking details of its frustrations in order to manipulate the possible outcomes. But they ultimately reached an agreement that was in their mutual interests, they said.

Both LVMH and Kering are once again making investments in young designer labels at a rapid pace, with J. W. Anderson and the shoe designer Nicholas Kirkwood joining LVMH, and Joseph Altuzarra and Christopher Kane now linked with Kering.

Meanwhile, Mr. Jacobs, with his longtime business partner, Robert Duffy, has increasingly sought to develop the Marc Jacobs label and its lower-priced collections. During similarly fraught contract negotiations a decade ago, the team won significant commitments from LVMH, the majority owner of the brand, to further develop its retail and design.

The news of Mr. Jacobs’s plans come amid a flurry of I.P.O activity in the fashion industry. The apparel line Vince has filed for a stock offering, with plans to spin off from its holding company, the Kellwood European Luxury brand. Moncler also intends to float shares in an I.P.O. later this year, said a person briefed on its plans.

Wall Street bankers said that the success of Michael Kors’s I.P.O. is driving much of the interest in high-fashion stock. Shares of Michael Kors have tripled since December 2011, making it one of the most successful offerings in recent years. Mr. Kors made hundreds of millions of dollars taking his company public, and his private equity backers have made billions.

The potential of a Marc Jacobs public offering has been described as an opportunity for Mr. Jacobs and Mr. Duffy to further invest in their brand. But for that to happen, it was seen by executives on both sides as necessary for Mr. Jacobs to return full time to his own company.

Hermès in Talks for Potential Sale of Gaultier Stake

Hermès — the French maker of Birkin and Kelly handbags that is fending off advances from the LVMH Mo?t Hennessy Louis Vuitton luxury conglomerate — said Friday it had begun talks to sell its 45 percent stake in the Jean Paul Gaultier fashion house.

Hermès has received expressions of interest from several international luxury firms that develop global brands, and from non-luxury Asian firms that know the region, for its holding in the Gaultier brand, which has been recovering from a sharp drop in sales after the financial crisis hurt its bottom line.

Mr. Gaultier is looking to raise capital to develop his ready-to-wear line more aggressively in Asia and North America, and Hermès would only sell shares to a partner who would agree to such a strategy, said
Damien Bachelot, the president of Aforge, a French mergers and acquisitions firm that manages financial transactions for Mr. Gaultier. The designer may also seek to raise additional capital separately, he said.

“Mr. Gaultier doesn’t want to sell, but on the other hand he wants to have a partner,” said Mr. Bachelot. “No option is closed.” Despite a 19 percent slump in Gaultier sales in 2009, which rebounded last year, Hermès is not rushing to exit, he added.

Christelle Denef, a spokeswoman for Hermès, declined to comment, but said the announcement did not necessarily mean the company would sell its entire stake.

Jelka Music, a spokeswoman for Gaultier, said: “We are aware that Hermès has been approached, but it is too early to say what will happen.’’

Jean-Louis Dumas, the former patriarch of Hermès, recruited Mr. Gaultier, who had a reputation as the bad boy of fashion, in 2003 to design ready-to-wear collections. His headline-grabbing couture included conical-shaped bras for Madonna and skirts for men.

While Mr. Gaultier brought buzz to the house, Hermès never built it into a hard-charging high-fashion group that would take on the likes of Gucci, owned by Pinault Printemps Redoute, or Christian Dior, owned
by LVMH.

In fact, the LVMH chairman, Bernard Arnault, passed over Mr. Gaultier and hired the British designer John Galliano to revitalize the Dior fashion house 15 years ago. Soon after, Mr. Gaultier began to self-finance his own line.

LVMH, which has aggravated the Hermès family by taking a stealth 20 percent stake in the company, is not interested in buying Hermès’s shares in Gaultier, said Olivier Labesse, a spokesman.

Mr. Gaultier’s seven-year honeymoon with Hermès faded after Mr. Dumas’s death last May. Two months later, the designer ceded his role and was eventually replaced by Christophe Lemaire, who had been designing for Lacoste since 2000.

Hermès bought 35 percent of the Gaultier brand in 1999 for $23 million, and took another 10 percent share from the designer in 2008 for about 3 million euros. The Gaultier fashion house gets most of its revenue from ready-to-wear licenses and perfumes, and to a lesser extent, from sales of accessories.

The announcement comes amid the changing makeup of the luxury industry. Prada, the Italian fashion house seeking to raise cash, this week applied for an initial public offering on the Hong Kong stock exchange, a move that could allow the company to be listed by the middle of the year. In March, LVMH moved to take control of high-end bobble maker Bulgari.

Celebrity designers rework iconic Louis Vuitton monogram

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Six of the world’s hottest creative talents have reimagined the French brand’s monogram in a new project titled ‘The Icon and The Iconoclasts’.

The Icon And The Iconoclasts is a special project instigated by Louis Vuitton to celebrate the iconic Monogram, first created in 1896 by the eponymous founder’s son Georges Vuitton.

Footwear legend Christian Louboutin, artist Cindy Sherman, architect Frank Gehry, Chanel and Fendi creative director Karl Lagerfeld, designer Marc Newson and Comme des Garcons founder Rei Kawakubo were brought together by the brand for the project. The sextet have been given carte blanche to create new bags and accessories using and reimagining the famous monogram print.

It was Delphine Arnault, executive vice president of Louis Vuitton, and the brand’s creative director Nicolas Ghesquiere who first dreamed up the idea.

“When we talked with Nicolas Ghesquiere about the extraordinary talents we would like to approach we simply went to those who are among the best in their fields,” says Arnault, explaining her choice of the talents.

“We were interested in people who work with their minds and their hands. I thought it was so interesting – and fun! – to have all of these different points of view on the Monogram. It is inspiring to see how they envision things, to see their perspectives. This is a group of geniuses.”

The limited edition pieces will appear for sale in selected Louis Vuitton stores around the globe from mid-October this year, with a launch event set to take place in New York City on Nov 7.

Category: nouvelles

Dior Fires John Galliano After Bigotry Complaints

The French fashion house Christian Dior said Tuesday that it would dismiss its chief designer, John Galliano, soon after the surfacing of a video that showed his anti-Semitic outbursts at a Paris bar.

Within a short statement, Sidney Toledano, Dior Couture’s chief executive, stated he condemned ‘‘in the strongest terms’’ Mr. Galliano’s words, ‘‘which are in total contradiction with the crucial values which have often been defended by the Christian Dior house.’’

Dior, however, was still planning to go ahead with its autumn/winter 2011 ready-to-wear show on Friday as part of Paris fashion week. A spokeswoman for any separate label, John Galliano, mentioned its women’s put on show would also go ahead as scheduled Sunday.

Known as the ‘‘bad boy’’ of the style planet for his flamboyant and provocative style, Mr. Galliano helped to energize Dior soon after he joined it in 1996 as inventive director, rising sales and creating it a jewel from the LVMH Mo?t Hennessy Louis Vuitton luxury-goods empire run by the French billionaire Bernard Arnault. LVMH also owns the John Galliano line. Olivier Labesse, a spokesman for LVMH, did not return calls seeking comment around the designer’s function there.

The departure of one of its most important designers has left the fashion planet buzzing with concerns. Dior, which was founded in 1945, is one of the couple of labels still specializing in haute couture. The Scene | Paris Men’s Fashion Week: Louis Vuitton Fall/Winter 2014 – NYTimes.com

In its statement, Dior said it had ‘‘immediately suspended relations’’ with Mr. Galliano and ‘‘initiated dismissal procedures.’’ It cited the ‘‘particularly odious comments’’ contained within the video posted Monday.

The video was posted on the net website from the British tabloid newspaper The Sun. It appeared to show Mr. Galliano taunting patrons at a Paris bar, declaring inside a slurred voice that ‘‘I appreciate Hitler’’ and that ‘‘people like you’d be dead,’’ and ‘‘your mothers, your forefathers’’ would all be ‘‘gassed.’’ It was unclear when the video was recorded or who recorded it.

Then, late Monday, the actress Natalie Portman strongly condemned Mr. Galliano, saying in a statement that she was ‘‘deeply shocked and disgusted by the video.’’ She added, ‘‘as an individual who is proud to be Jewish, I will not be linked with Mr. Galliano in any way.’’

Ms. Portman recently signed an endorsement cope with Dior for its Miss Dior Chérie perfume. There had been speculation that she would select a Galliano design and style for the Academy Awards ceremony Sunday. Rather, Ms. Portman wore a gown in the fashion property Rodarte. It was not yet identified no matter whether her contract with Dior would be impacted or how far any intervention by Ms. Portman could possibly have forced the hand of LVMH.

Ahead of the video was released, Mr Galliano had already been questioned by the police, last Thursday, after an incident in the bar, La Perle, in the trendy Marais district of Paris. He has been accused by two other consumers – Geraldine Bloch, 35, and Philippe Virgitti, 41 – of making an anti-Semitic slur.

French law makes it a crime to incite racial hatred; the statute has been made use of inside the past to punish anti-Semitic remarks. The French advocacy group SOS Racisme mentioned that it would support legal proceedings in the event the accusations have been confirmed. ‘‘Mr. Galliano has added to the ignominy of his words with all the cowardice of a denial,’’ it stated inside a statement.

Mr. Galliano’s lawyer, Stéphane Zerbib, did not respond to requests for comment Tuesday. He has denied that Mr. Galliano created any anti-Semitic comments within the incident final week and has submitted testimonials of assistance from staff and witnesses in the bar as portion of defamation complaints filed against Ms. Bloch and Mr. Virgitti. Mr Galliano and his partner, Alexis Roche, could not be reached for comment.

A police spokeswoman also declined to comment Tuesday, except to say that witnesses, like Mr. Galliano, had been questioned Monday inside a police station inside the third arrondissement of Paris, exactly where the bar is positioned, and subsequently released. She referred all concerns for the Paris prosecutor, who did not return calls looking for comment. According to French media reports, the police questioned the owner of La Perle, the bar’s security employees along with other clientele.

1 particular person who witnessed last week’s incident in the bar – Lyes Meftahi, 38, a Parisian, who runs an audiovisual organization – said that Mr Galliano was certainly drunk, speaking slowly and slurring his words. But he said that the designer was keeping to himself and was ‘‘provoked’’ by a lady, who had named Mr. Galliano ‘‘ugly.’’ Mr. Meftahi heard no anti-Semitic slurs and stated that Mr. Galliano himself was threatened with violence at one particular stage for the duration of the altercation.

Mr. Meftahi said Mr. Galliano was a frequent visitor towards the bar, which is close to where he lives. He made use of to turn up in his sport utility vehicle and was accompanied by his driver, who kept a watchful eye more than his client. The bar is frequently frequented by stars, who seem to like the truth that they can drink there discreetly.

Mr. Galliano was suspended by Dior on Friday. The fashion home cited its ‘‘unequivocal zero-tolerance policy concerning anti-Semitism and racism.’’

There was a sense of shock inside LVMH at the extent of Mr. Galliano’s personal complications. The Dior chief, Mr. Toledano, is himself Jewish. The company had initially planned to help keep the designer suspended pending an inquiry, but moved to act swiftly following diffusion with the video. Dior was not however commenting on succession problems.

No matter any legal action, Mr. Galliano will struggle to bounce back strongly inside the fickle and high-octane globe of style, in which there is absolutely no shortage of talented men and women that have been left by the wayside.

‘‘The trouble with fashion is that it’s a hard job and in the finish it tends to make you crazy,’’ said Donald Potard, who runs the fashion consulting firm Agent de Luxe and is really a former chief executive on the label Jean Paul Gaultier. ‘‘There’s so much pressure to make and build each of the time. You should be robust or this job will destroy you.’’

‘‘John’s now going to possess to cross the desert, and when he returns, he may possibly discover that he has few mates,’’ he added. ‘‘It’s a cold, cruel planet.’’

Various persons who’ve interacted with the designer lately mentioned that his behavior had turn out to be erratic and that he had been drinking heavily. Prior to that, Mr. Galliano’s long-term collaborator and confidant Steven Robinson had died at age 38 in Paris in 2007 right after a heart attack.

‘‘It’s a violent finish towards the story,’’ mentioned Gaspard Yurkievich, a Paris-based designer. ‘‘It’s very sad – a human tragedy – it’s ghastly!’’

Observers said that LVMH may possibly have felt compelled to act right after a racist outburst on French tv last year from Jean-Paul Guerlain, a descendant of your founder from the eponymous perfume home, owned by LVMH. Mr. Guerlain was a famous ‘‘nose’’ and had retired from the company some years earlier but remained a consultant.

Some days immediately after the outburst LVMH released a statement condemning ‘‘all forms of racism.’’ It was perceived by several in the business to possess reacted as well slowly.

Back in 2009 the outlook for a lot of fashion houses looked weak. Indeed, two style firms – Christian Lacroix of Paris, which had been to become component of LVMH, and Escada of Germany – had filed for bankruptcy.

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But now LVMH seems to be in very good well being right after effectively navigating the monetary crisis and benefiting from demand from the newly affluent, particularly in Asia. The company, which also owns brands like Dom Pérignon Champagne, Hublot watches and Louis Vuitton, said this month that sales in 2010 rose 19 % to €20.three billion, or $28 billion. Net income surged 73 % to €3 billion and also the group improved its dividend.

Mr. Arnault has also taken a 20 percent stake last year inside the rival French style property Hermès International, which has led to even greater fears of dominance by the group more than the fashion business. Coach Files a Complaint Against Louis Vuitton in Japan – NYTimes.com

On Best on the Planet

The existing good results of luxury men’s put on – frequently outstripping comparable women’s sales – has given a brand new energy to designers that are displaying in Paris for the 2013 winter season. That change of climate has affected not just self-assurance in the solutions, but also the concentrate on manly, weatherproof clothes that dominates the runways.

So there was an excellent explanation for the Louis Vuitton show on Thursday to be placed – figuratively speaking – “on the top rated with the globe,” because the men’s studio director Kim Jones described his mountain inspiration and Himalayan backdrop.

The guys walked more than shiny-as-ice surfaces, wearing coats marked with faint animal prints, bold snow leopard patterns or cheetah emblems on the chests of sweaters. They carried giant backpacks, rolled ethnic rugs integrated, and tote bags – not least, a single (which need to already have a waiting list) designed by Jake and Dinos Chapman.

The artistic Chapman brothers, who developed the leopard emblem, also put their imprint around the dressy component on the collection, which began with chic and sleek tuxedos and moved into a louche vision of smoking jacket and dressing gown elegance.

This was a fresh and faultless vision, based on Vuitton’s lust for travel. And Marc Jacobs, the general design and style director, was the first to leap to his feet in applause.

Raf Simons has had a change of climate since he took more than the helm at Christian Dior. And his namesake collection seemed to adopt a touch of your grandeur of your couture residence.

“Dandyism,” announced the Belgian designer – working with the word to explain his experimentation having a flourish of a tie pointing upward at the neck, double cuffs left casually open and also a boy-meets-man impact of a patterned sweater showing its sleeves from beneath a fancy shirt.

“It’s not Oscar Wilde. It really is a lot more regarding the psychology of a dandy,” mentioned Mr. Simons, citing an unlikely style inspiration: Puss in Boots, which appeared as a pattern on the knitwear.

This was a fine collection, with a flirty feeling to coats swelling out under the waist. A specific sense of color – eggplant, blue, gum pink and yellow – went proper back for the teenage boys of his earliest collections. So did the sweaters, still using a boyish feel.

But this season, the salt-and-pepper of the Dior couture encounter added towards the fashion feast.

Asian warriors had been the theme at Balmain, proving how robust the influence from the Far East is on international designers.

“I wanted East and West: judo belts, kimono shapes, harem pants and the influence of Chinese lacquered furnishings,” said the Balmain designer Olivier Rousteing, who explained the importance of fine operate from a couture house.

Essentially the most dramatic pieces were gilded jackets with wide obi sashes. The subtext was an homage to David Bowie and his 1983 song “China Girl,” which brought a hip spirit to leather jackets and however one more hint from the dandy.

Rick Owens was prepared for climate transform. Even though he said backstage that “we sell jeans and leather – I wish to celebrate that,” he seemed rather to become embracing the wonderful outdoors. Gloves with furry fingers, tough fur boots, and shaved and fluffy pelts melded into one single jacket all spoke of winter cold, as did the dirty, urban-snow white as a second preferred colour soon after black.

The Rick Owens look is edging ever closer to luxury. With a challenging and turbulent vision that sometimes – as in wood grain stripes or pleated leather – comes off beautifully, it may also be aggressive in its tight shoulder wraps plus the show’s violent soundtrack.

For Viktor & Rolf Monsieur, the fashion journey followed Jules Verne “to the center in the earth” – though whether that furnished the mineral effects gleaming from suit surfaces or inspired the tumbling figure on the backdrop remained a mystery.

Once again, outerwear dominated, well-proportioned and done with the current mix of traditional and techno fabrics. But in the event the style duo had anything more poignant to say, it was lost among blown-up prints of eyeglasses, shoes and giant letters.

The Issey Miyake show developed a concept of silvered and gilded emergency blankets as tailored urban put on. Heat-retaining film was utilised as a coat lining or visible on the exterior, seeming both ergonomic and effective.

A different idea was to redevelop a traditional Japanese woven fabric in an ultralight weight and use it for the square-shaped jackets. Mr. Miyake and his design and style team also wove fabrics from polyester and paper, proving how advanced this home is in stylish sustainability.

Phillip Lim cited a Japanese phrase backstage: “sono mama de” or “as you are.” Those words as well as a decision to base the three.1 Phillip Lim show on biker looks took Mr. Lim into a brand new league. There was such a sense of purpose in these clothes: black leather jackets imprinted with cables, as if in knitting; a Nordic Fair Isle pattern, mostly on jacket backs; camouflage, handpainted to give an artistic impact. And all this on wearable sporty clothes that were also shown in plain black.

At final, the potential of a Thierry Mugler revival has been achieved, because the designer Romain Kremer, with Nicola Formichetti, insinuated a sharp geometry into rounded clothes and let graphic bright or even Day-Glo geometric colour underscore the sense of a superhero.

These clothes, with their military insignia around the chest of a sweater in addition to a bold, rounded silhouette, as opposed towards the original Mugler linear sharpness, gave a clear sense of style.

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Behind John Lawrence Sullivan is Arashi Yanagawa, a Japanese designer whose early career was as a professional boxer. But there was nothing aggressive in regards to the collection that the designer named “Electric Africa.”

Bold patterns, as if redrawn from Masai beading, in the neck of sweaters, python-patterned shoes in addition to a jungle of flower patterns competed with plaid and made a collection with clarity and vision.

A version of this review appeared in print on January 18, 2013, inside the International Herald Tribune.

Category: shopping

Scarlet soles are a red rag to feminists’ ideology

The final piece of human architecture to be colonised, sexualised and merchandised was the hard-working, taken-for-granted, out-of-sight sole. The humble base with the shoe. Then Christian Louboutin, trying to find an edge in a field already crowded with look-at-me gimmicks, started to paint the soles of his hand-crafted shoes having a glossy red lacquer.

Now, the signature flash of wealthy red beneath a towering pair of Louboutins has elevated the French designer from trendy to cult. You’d like the Louboutin power strut? Do not expect any modify out of $800. Millions of girls pay, or would like to spend, to join this cargo cult. They see that flash of red as a flash of power.

Christian Louboutin is as massive a commodity-maker as Manolo Blahnik was just before his wave crested together with the tacky embrace of Sex and also the City. The red flash is as massive because the Jimmy Choo fad, which peaked a decade ago, and sexually far more potent. Louboutin is even suing Yves Saint Laurent for trademark infringement right after the YSL style home introduced red-soled stilettos in its final collection. Red soles are hot.

The pervasive power display of females wearing stilettos, despite the style’s innate and clear potential to harm the wearer, isn’t an evolution that feminists from the 1970s could possibly have anticipated. But the planet is an infinitely a lot more complicated place than the a single laid out by Jurassic Feminism. Everyone who nevertheless wants to see the globe via the prism of gender fixation, where females are structural victims and guys are structural oppressors, is locked into a fusty bigotry that the stiletto generations are walking away from.

All the wonderful recent advances made for girls happen to be made by people today – males and ladies functioning collectively. The majority of the legislation that seeks to advance the progress of girls has been passed by legislatures dominated by guys. And no level of government social engineering is going to quit women behaving badly to girls, which occurs all the time. Women bully women. Girls block females inside the workforce.

It’s not all sisterhood. Generally it truly is competitors, exclusion and ridicule. This could apply with much more Darwinian brutality amongst teenage girls. Teenagers are also the most vulnerable for the Terrific Insecurity Machine, and that machine will crank into action in all its glory on May perhaps 2, the first day of Australian Fashion Week.

Currently, the giraffes are starting to collect. Soon they may be strutting and pouting down the runways in the tents at Circular Quay. The giraffes will be the models together with the one-in-a-hundred bodies made use of to project not only the clothes but the ideal of what a woman need to look like. And they’re so incredibly young.

That is the foundation lie fed to women, largely by ladies, through the Excellent Insecurity Machine, the industrial style business. It’s the lie fed by women’s style magazines – by far the most corrupt genre of journalism – and style designers and style retailers. The fashion industry might have a noble purpose – to provide individuals pleasure, make them extra attractive, and more confident – but even more essential is profitability and money flow. In conjunction with the accelerating speed of on the net commerce and social networking, the fashion cycles are quickening. The energy necessary to remain sharp and existing is becoming far more acute. Commercial survival trumps consumer pleasure.

Reality also trumps ideology. Which can be why academic  »feminism » is ageing so badly. The complete edifice of classic feminist ideology, and gender studies, is devolving into an intellectual artifice as grand as Marxism or complex financial derivatives. Academic feminism inside the West has turned out to be tiny more than a further flag of convenience for the left, inside the way the Greens use environmentalism. Christian Louboutin’s Nude Shoe Collection Accommodates More Than One Skin Tone (PHOTOS)

One of the most totemic book from the 1970s wave of feminism, The Feminist Mystique, by Betty Friedan, was written 50 years ago and published in 1963. It became the paradigm with the dubious methodologies and victimologies nonetheless getting marketed on university campuses beneath the brand  »feminist ». Friedan was not a scholar; she was a journalist. She was not oppressed; she was privileged. She was not rigorously impartial; she was a hardline leftist. She was not sincere, and sought to cover up her early operate for the largest Communist-led union in America. She also mined the work of Simone de Beauvoir for her book but gave no credit. Above all, Friedan was a navel gazer. Her feminism was about middle-class, middle-brow white women.

These flaws have been not hers alone. They’re able to nevertheless be found embedded in feminist ideology. We are living inside the middle of a massive global struggle over the rights and freedoms of females, a life-and-death matter for a billion women and girls, and secular middle-class Western feminism is proving irrelevant.

What drove the good modifications now – called the feminist revolution inside the West – was not a wave of brave and articulate women activists, although they had a function, but a thing far deeper and more considerable: the vast demographic deformity caused by World War II. It took two generations to unwind this deformity. Part of that unwinding was the liberation of females from the expectation of domesticity. It occurred because of the actions of millions of people today, males and girls.

Society continues to be wanting to reconcile the distortions brought on by by far the most critical distinction in between the genders: the mothering drive. This really is the bedrock on which household and culture is constructed. But women have to assume all the risks of fertility. It is a basic inequality.

It tends to make today’s fertility and power displays, all those flashes of teetering red, even more loaded with density of meaning.

Special-edition Christian Louboutins attract SoCal’s well-heeled

They came currently shod in Christian Louboutin. At home, they have dozens, even one hundred pairs of your French designer’s shoes, some encased in particular walls in their closets. They’re connoisseurs of his style quirks — the voluptuous hidden platform, the signature red sole, the vertiginous heel. Handful of of his devotees wear them at less than 4 or 5 inches.

But what really beckoned collectors of Louboutin to a particular dinner for him last week at Marche Moderne in South Coast Plaza and after that a shoe-signing at his shop there the next day was the West Coast debut of his special-edition shoe: an open-toe platform high heel in satin, embroidered with colorful beads by the property of Jean-Francois Lesage, edged using a ruffling of chiffon and velvet.

Only 36 pairs have already been created, with some unique orders anticipated. It is referred to as the Marie Antoinette, plus the ankle strap is adorned using a porcelain doll face topped having a rendering of a profuse wig. For the record, the doll and its wig could be slipped off the strap.

« They’re wildly comfortable, » mentioned one particular woman from New York modeling a pair on Monday evening that she had bought in Paris.

The price tag: a breathtaking $6,295. Or, as shoppers ruefully noted, somewhat shy of $7,000 with tax. The shoe comes within a deep turquoise, a watery pale pink and yellow. 3 pairs had been created obtainable for acquire at the South Coast Plaza retailer.

« To me it was an investment, » mentioned the New Yorker, speaking on the pair she had on. Apparently so. She confessed she had purchased a second pair.

By the way, the ones at South Coast Plaza — they’re sold out.

Initially Louboutin-beige blush it seems preposterous, even in terrible taste, for a designer whose footwear routinely retail for $600 and up to introduce a shoe 10 times that price tag through a worldwide recession and dedicate it to Marie Antoinette, the legendary — if misunderstood — icon of excess. But inside the finish, it appears extra like a clever company move. Not just has it been an opportunity to sell shoes, but a chance to additional burnish the luxury brand.

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Louboutin disavows either as a objective. He and his pal Lesage, who lives in India, conceived the idea of a collaborative line of shoes two years ago more than lunch, the designer mentioned.

« We had been thinking we should have a collection of what I contact the ‘Cinderella syndrome’ — extremely, extremely few footwear within a pretty quick moment. Just like Cinderella, » Louboutin said throughout an interview last week within a sunny corner of Marche Moderne, just methods from his eponymous store, exactly where a huge selection of fans waited in line for his autograph-signing to start.

Louboutin and Lesage decided to complete a collection depending on queens. Just after an excellent laugh about what type of queens — « it could possibly be a drag queen, a drama queen . . . we know a great number of drama queens » — they chose the French queen, Marie, for the reason that her era was linked with « the decorative arts. »

The fact that the collection was prepared to present smack within the middle of a recession did not faze the designer. « It’s not that I am not sensitive to what happened, » he said, his line-less face sober beneath a slouchy hat. « But it is not linked. When periods are difficult, do you actually desire to add some additional black to folks at that time? It’s not my function in life. And it really is not my job either. » Christian Louboutin Disney

His well-heeled fans agreed.

« Take away something else from me within this undesirable economy, » declared Yvonne Moyano, 38, clad in hot pink heels, certainly one of her 40 to 50 pairs. « Take away my spa, my driver, but not my Louboutins. »

The crowd included muscled spenders, inveterate shoppers and splurgers. One doting mother was getting her daughter a pair for her 21st birthday; another purchased her daughter an $1,100 pair for higher school prom.

« We’re going to reduce back around the dress, » mentioned Charisse Wilson, 40, chuckling.

Christina Ferguson sat on a cushioned bench within the store waiting for any return telephone contact. She coveted the pale pink Marie Antoinettes but wanted her husband’s approval. « Anything over 3, » she stated, laughing when asked what the cut-off was for approval. (She meant $3,000.)

« People assume I am crazy for spending that a lot on a pair of footwear but I feel it really is a piece of art, » said Ferguson, 39. « It’s a statement piece. »

Alexx Shaw, an independent art curator, literally saw them as art. She doesn’t care what size her pink footwear are. (She is finding on the list of special-order pairs.) « I’m not going to put on them. I’m going to collect them. »

« Anything that high priced I am going to put on, I would in no way just hold them someplace, » piped up Ferguson.

Shaw eyed her. « Can I ask you a query? What for those who obtain art? You cannot wear it. »

Whatever the targets for their footwear, revenue was not a stumbling block.

« It’s my dad’s birthday present to me, » mentioned Shaw, who turns 25 in April.

Ferguson and her husband, Don, live in Irvine and personal a health-related clinic. She got a get in touch with back. She described part of the conversation:  » ‘Honey, would you prefer to purchase a piece of art?’ ‘What type of art?’ ‘Shoes?’ ‘No.’  »

But she was laughing as she mentioned it, since he showed up in the retailer and gave his OK.

« Here’s the deal, » Don Ferguson mentioned. « I have my hobbies at the same time. And they’re not affordable. » He looked at the footwear. « And she enjoys them so. »

Later, as they nursed glasses of wine inside a cafe immediately after their enormous acquire, he mused, « I will say, it is a little stiff for shoes. But then we go to New York and lots of factors are highly-priced. »

« I know men and women never like this, » added his wife, « but I am helping the economy. If people never spend, we’ll seriously be within a depression. »

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Christian Louboutin holds on to his red soles

In line with a federal appeals court, the answer is yes, though the legal protection might rely on how the colour is used.

The New York-based 2nd Circuit Court of Appeals ruled Wednesday that Christian Louboutin could protect against other style homes from copying his distinct use of a red, lacquered outsole on a high-heel shoe of a distinctive color, described by the court as “an identifying mark firmly related with his brand.”

“We hold that the lacquered red outsole, as applied to a shoe with an ‘upper’ of a unique color, has ‘come to recognize and distinguish’ the Louboutin brand and is consequently a distinctive symbol that qualifies for trademark protection,” the court said, overturning a reduce court’s selection. Blake Lively Christian Louboutin

The appeals panel nevertheless ruled that Louboutin has no protection if the colour is utilised on each the outsole as well as the rest with the shoe.

The ruling stemmed from a dispute involving Louboutin and Yves Saint Laurent. Louboutin charged that a YSL higher heel that utilised the red outsole on red high heels violated the Louboutin patent. The appeals court directed the Patent and Trade Office to limit the registration of Louboutin’s “Red Sole Mark” patent only to shoes with red, contrasting outsoles.

Category: nouvelles

A Season That Defies Its Own Description

So we come towards the end of that interminable, puzzling, ill-defined women?ˉs put on season which is generally known as pre-spring ?a or practically the end, to be completely accurate; there are some more shows dribbling out following the men?ˉs wear spring 2015 collections commence in London this weekend. But you’ve to draw a line somewhere. And obtaining drawn it, we are left with … what exactly?

Some good, non-challenging garments, a thread of nautical-meets-1970s and an industrywide identity crisis.

It began a month ago having a massive bang when Christian Dior came to the Brooklyn Navy Yard with its show of silk scarf dresses and New Appearfinal week having a flurry of smaller presentations and mini-runway shows from American and European brands (though not all European brands).

A number of the presentations took place in galleries, some took place in showrooms, some took spot in shops, and some incorporated an up-close-and-personal designer narration. And some have been not known as pre-spring at all but, based around the brand, ?°cruise?± or ?°resort?± or just ?°pre-collection?± or ?a

?°It?ˉs known as, ??Everyone is confused!?ˉ ?± Ralph Lauren announced immediately after his mini-show of tightly edited navy-and-white polka-dot and striped classics with eye-poppingly unabashed accents of gold, held in his Madison Avenue flagship. ?°Cruise signifies beach, and ??pre?ˉ implies you may ship early. As a retailer, I like that, but as a designer, I obtain it tricky. I dug my personal grave.? Comments | At Louis Vuitton, Young Designers Have Stars in Their Eyes – NYTimes.com

Gucci?ˉs creative director, Frida Giannini, agreed. ?°It?ˉs extremely confusing for us,?± she mentioned in her suite in the Carlyle hotel, exactly where she showed her collection of pastel cashmeres, clownishly oversize sailor bottoms and a terrific new take on her signature Flora print, most effective within a swishy spaghetti-strap sundress.

?°I imply, resort? That?ˉs such a crazy phrase,?± stated Michael Kors, who had a series of compact presentations in his showroom total using a running monologue as backdrop to a collection of sweet white eyelet dresses, sable-lined anoraks and tie-dyed suede flares. ?°Are we speaking Palm Beach resort? Phuket resort??±

?°And it lasts forever,?± Carolina Herrera said, laughing, during her presentation-cum-cocktail celebration in her Seventh Avenue showroom. To wit, there was an understated double-face cashmere wrap coat and skirt that could go into her stores in October and daisy-strewn organza ball gowns and lengthy silk dresses produced for dancing beneath the stars in January.

When upon a time, a cruise collection was just that: a niche drop of solution that went into shops in December to provide a little bit taste in the new right after the fall lines had been exhausted and ahead of spring was delivered, and was created having a holiday destination in thoughts. But as stores started demanding item earlier and earlier, sales steadily got reversed, and now the pre-collections (the current pre-spring and pre-fall, which requires spot from December to January) make up approximately 70 % of a label?ˉs seasonal income, simply because they are on shelves at full value to get a full four months. Spring, by contrast, delivers in February and is on sale by May.

However the industry itself can not agree on what exactly is pre-spring (let?ˉs just call it that for logic?ˉs sake). Indeed, finalplace her foot down, and not simply stop bringing her pre-collections to New York, but additionally quit releasing any photos of them till the items basically go into stores. Which was exciting, givenapproach.

It really is, as the Rodgers and Hammerstein song goes, a puzzlement. Henry Racamier Dies at 90; Revitalized Louis Vuitton – New York Times

Part on the tension is financial; only a handful of brands have the economic muscle to take a collection around the road and then place on a mega-show like Chanel, especially provided that the media-client ratio within the audience is one particular to two, and that numerous of those V.I.C.s (essential clients) have already been brought by the brand as a treat, or maybe a type of direct marketing. Component of it really is temporal: Considering that pre-spring is actually a bridge season meant to become worn as soon because it is purchased, and clothing go in to the stores just as there is certainly a chill in the air, it needs to include cold-weather garments along with beach-worthy ones. But most of it can be aesthetic.

The pre-collections are defined, if they may be defined by anything, as ?°clothes for persons to wear,?± and garments for men and women to put on are generally not clothes that make a huge style statement, and therefore not garments that designers believe they necessarily choose to ?°present.?± This is aspect of why most brands show an abbreviated selection of looks towards the important public, although the collections are, said Frederick Lukoff, the chief executive of Stella McCartney, in the course of its party/presentation in a downtown garden, complete with living statues posing by models wearing print-heavy (even though conceptually lighthearted) cutout sundresses and jumpsuits, ?°exactly?± precisely the same size because the spring main line.

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Needless to say, as with all issues resort, there is certainly no real norm. Ralph Lauren had 36 looks in his pre-spring show, for instance; Dior, 66; Balenciaga, 24; Chanel, 84. Go figure.

Put a further way, after a round of runway shows, it is actually typically simple to recognize the bag from the season, or the defining silhouette, but following five weeks of resort, no revolutionary appear or ?°it?± item sticks out, even though a handful of trends have emerged.

That is not necessarily a bad issue. In some ways, in truth, it’s a consumer-sensitive factor, responsive to women who merely want to put on a wonderful garment and not become a walking billboard for someone else?ˉs ?°statement.?± As Donna Karan said, showing off her ?°boudoir to black tie?± collection of many uncomplicated pieces (diaphanous cardigans, slouchy silk cargo pants, airy dresses), ?°there?ˉs less pressure with these garments.?±

And in that respect, amongst all the identity crises, a number of themes did emerge. The mood, for instance, was largely, if not surprisingly, seaside-inspired, from skinny sailor pants and transformational peacoats (giant collars attach and detach at will) at Joseph Altuzarra to aquatic prints at Louis Vuitton and nautical stripes at Thakoon; at Balenciaga, the trapeze capes and sailcloth canvas miniskirts were worn with wellies; along with a Japanese surf-palette marked Proenza Schouler?ˉs cool skating dresses with dropped obi belts and rounded, oversize overcoats. For all those within a different holiday mind-set, safari also played a function, as in a Burberry skirt with significant suede patch pockets or double-breasted trench with oversize horn buttons. Then there have been florals, surprisingly romantic at Narciso Rodriguez and regal at Oscar de la Renta.

The 1960s-’70s segue was the time reference to watch, best in Derek Lam?ˉs neat color-block dresses, Jason Wu?ˉs small skirt suits and a multitude of flared trousers from Diane von Furstenberg (brightly colored jersey rooted in memories of Stephen Burrows), though the 1960s lolly-popped up in retro-flavored velvet mini dresses at Marc Jacobs and geometric print versions of the very same at Versace.

Possibly the single most universal garment was the shirtdress, bias-cut and with contrast collar at Gucci, minimally white at Balenciaga and ready for evening at Carolina Herrera. For fabrics, it was luxury denim ?a within a skirt-and-jacket combo at Acne Studios, one example is ?a or skins, in particular suede and leather, which seemed pretty a lot each designer?ˉs option to the trans-seasonal issue. So there was matte pink snakeskin at Reed Krakoff, a studded suede tank and not-quite-matching leather skirt at Lanvin as well as a bright gold leather suit at Ralph Lauren.

Needless to say, none of this really is going to upend anyone?ˉs wardrobe, but arguably that is the point. According to Alber Elbaz, who might have began the entire pre-collection wave when he decided to hold presentations with the Lanvin resort lines inside the Crillon hotel in Paris 12 years ago, this specific not-quite season is actually ?°not about displaying.?±

?°It?ˉs about sharing,?± Mr. Elbaz mentioned, explaining his selection to jettison his plan for ?°28 models and two pianos and essential piano players?± in favor of a much much less portentous mini-show of lavish evening skirts with paper-bag-ruffled waists; four-layer tulle day dresses and striped shifts; and T-shirts and skirts and jackets made of cupro linen with an oily, effortless sheen. It?ˉs ?°not about making perfection, due to the fact life isn’t fantastic,?± he said. ?°And fashion is about life.?±

Burberry Rises as Luxury M.&A. Again Comes to the Fore

Could Burberry?ˉs signature tartan plaid be snatched up within a sale?

Shares inside the British style house reached a decade-long high immediately after LVMH Mo?t Hennessy Louis Vuitton announced that it was buying a majority stake in Bulgari of Italy, with an eye to buying the rest of your jeweler and watch maker.

Shares of Burberry rose about 4 %, to 120 pence, on the London Stock Exchange, as investors again appeared to mark up the company?ˉs prospects as an acquisition target.

Other standalone brands could also seem attractive as potential deal opportunities, analysts wrote inside a flurry of research notes on Monday.

Amongst them are Tiffany, whose stock opened a great deal higher ahead of drifting downward, and Tod?ˉs, the Italian shoemaker.

?°Mid-cap luxury stocks, such as Burberry or Tod?ˉs, could benefit from LVMH?ˉs move, because it might signal renewed M.&A. activity in the sector,?± Thomas Chauvet, an analyst with Citigroup, wrote.

But Mr. Chauvet cautioned that with LVMH seemingly sated for now with its Bulgari deal, worth $5.2 billion, the French conglomerate is unlikely to strike yet another deal anytime soon.

But LVMH?ˉs chairman and chief executive, Bernard Arnault, has never been identified to cease looking for additional luxury brands to add to his stable. He is still stalking Herm¨¨s of France, the family-controlled maker of Kelly and Birkin handbags.

Celebrity designers rework the iconic Louis Vuitton monogram

The Icon And The Iconoclasts is usually a special project instigated by Louis Vuitton to celebrate the iconic Monogram, first created in 1896 by the eponymous founder’s son Georges Vuitton.

Footwear legend Christian Louboutin, artist Cindy Sherman, architect Frank Gehry, Chanel and Fendi creative director Karl Lagerfeld, designer Marc Newson and Comme des Gar?ons founder Rei Kawakubo were brought together by the brand for the project. The sextet have been given carte blanche to create new bags and accessories using and reimagining the famous monogram print.

It was Delphine Arnault, Executive Vice President of Louis Vuitton, and the brand’s inventive director Nicolas Ghesqui¨¨re who first dreamed up the idea:

« When we talked with Nicolas Ghesqui¨¨re about the extraordinary talents we would like to method we simply went to these who are among the most effective in their fields, » says Delphine Arnault, explaining her choice of your talents. « We were interested in people today who work with their minds and their hands. I thought it was so intriguing – and fun! – to have all of these unique points of view on the Monogram. It can be inspiring to see how they envision things, to see their perspectives. This can be a group of geniuses. »

The limited edition pieces will appear for sale in selected Louis Vuitton stores around the globe from mid-October this year, with a launch event set to take location in New York City on November 7.

World’s first Louis Vuitton airport store opens at Incheon

Shopaholics in Asia got yet another reason to visit Korea as Louis Vuitton’s first airport store opened amid massive fanfare at Incheon Airport over the weekend.

Soon after decades shunning airport outlets, the French luxury brand picked Incheon as its flagship location due to its facilities and services, including the fastest procedure for entry and departure, stated Yves Carcelle, chairman and CEO of Louis Vuitton, who flew to the Korea for Saturday’s opening ceremony.

As outlined by The Korea Herald, the 550-square-meter airport megastore is expected to bring in ?70 billion (approximately US$65 million) in annual sales, thanks to the increasing numbers of Chinese and Japanese travelers that pass through Incheon.

Louis Vuitton’s debut sparked a feud amongst the airport’s brand names. Outraged over Shilla Duty Free’s preferrential treatment of Louis Vuitton, Gucci left Shilla to join hands with archival Lotte Duty Free, while Chanel is expected to pull out this month, reported Chosun Ilbo. IN BUSINESS; Louis Vuitton to Open Store at The Westchester – New York Times

The preferential treatment? The finest space within the airport, and only six to seven percent of revenue as rent. Other brands in the airport pay 20 percent.

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Incheon Airport beat out Schipol International Airport of Holland, Paris’ Charles de Gaulle Airport and Singapore’s Changi Airport, as all three had attempted to open Louis Vuitton airport shops inside the past.

At Saturday’s opening ceremony, Carcelle described the opening as « the world’s most effective airport and luxury brand joining hands. »

Category: sportif

Air Jordan XX3 “Finale” at Shoe Gallery

The red searchlights spun about the Downtown Miami skyline and could possibly be seen from afar around the evening of December 23, 2008. The elusive “Finale” colorway from the Air Jordan XX3′s have been on their approach to becoming released at Shoe Gallery. Given that news broke in regards to the release, a smaller group of dedicated sneakerheads produced strategy to Shoe Gallery almost 11 days before the actual release. They setup shop for a camp-out till the sneakers had been released on December 23rd. 22 other Jordan brand retailers about the country joined Shoe Gallery in releasing the final colorway in the XX3’s.

A total of 529 pairs (23 per store) have been sold worldwide, producing them ultra-exclusive. Shoe Gallery generally goes far and beyond to treat their devoted prospects ideal and this release was no exception of that. Red searchlights greeted them and produced Shoe Gallery the eye of Downtown Miami on the night just before Christmas Eve. Everybody who got their pair was grateful to finally be able to hold their prize and get to finally…well, go house.

The initial particular person in line was proud to become quantity “one” and Shoe Gallery gave him a couple of additional pieces of gear on-the-house in a show of their appreciation. It was funny that throughout the 11 days with the camp-out, a number of from the people today in line worked out a program have been they would alternate going property and after that come back in line and switch and and so forth. A terrific show of dedication mixed with a bit of maturity. With that, see ya subsequent year with the Air Jordan 2009 coming quickly! Air Jordan, Air BullsOn Sunday the Chicago Bulls advanced for the second round with the NBA’s Eastern Conference playoffs for the very first time in seven years, lugging with them an intriguing and nonetheless unresolved query: Are they a one-man band? Chicago answered ambivalently in going the best-of-five distance together with the Cleveland Cavaliers. In the first two games, the Bulls have been thriving only after they went to Michael Jordan, who scored 50 and 55 points in 104-93 and 106-101 victories at Chicago Stadium. In the subsequent two games, around the Cavaliers’ dwelling floor in suburban Richfield, the Bulls looked like lost sheep whenever Jordan was not out front with his staff.Sure, he scored 38 and 44 points, but he was playing having a sore back in addition to a sore correct knee and with a number of of your calls against him. Nike Air Jordans – SI Vault

Cleveland won 110-102 and 97-91. But in the fifth and deciding game, in Chicago, the Bulls performed like a many-man band. When Jordan « struggled » for 39 points, many of his teammates ultimately stood robust and tall within a 107-101 victory. « Today, » said coach Doug Collins, « the Chicago Bulls showed up in unison. » So did Cleveland, which for the first 1 1/2 quarters of the game threatened to close down the Jordan Jamboree for the season.The Lakers’ Magic Johnson has already proclaimed the Cavaliers « the group with the ’90s, » and there is no cause Cleveland cannot leapfrog past Chicago, the Detroit Pistons and also the Atlanta Hawks for the best on the Central Division next season.

Yes, the Cavs finally came apart on Sunday within the din of hostile Chicago Stadium, but not till late inside the game and not until the Bulls, who had been behind by 18 points late within the initially quarter, had mounted an exquisite clutch functionality.In 1988-89, Cleveland’s young guards, Mark Value and Ron Harper, might be a little wiser, veteran forward Larry Nance might be hungrier for recognition, and center Brad Daugherty are going to be a year closer to becoming the savviest (not the very best, thoughts you, but the savviest) center inside the NBA. Beware the Cavs.Chicago also may have seen its personal future flash just before it in Game five with all the play of rookie Scottie Pippen, who had 24 points, six rebounds and 5 assists.

Pippen has had an up-and-down season, as quite a few first-year players do, but he performed properly within the Bulls’ stretch drive, for the duration of which they won 13 of their final 17 games to overtake Atlanta for second location in the Central Division and third in the Eastern Conference. Nevertheless, Pippen — and every person else, for that matter — was shocked when Collins casually mentioned, minutes before Game five, that Pippen would be starting at tiny forward for the first time this season. The move was not just an expression of Collins’s self-confidence inside the multitalented Pippen, but also an indication that the regular starter, Brad Sellers, is back in what Sellers has jokingly referred to as « the Doug home. » A 7-footer who ventures in to the paint so rarely he need to believe it is mined, Sellers played only 5 minutes on Sunday, and although it could be premature to say that his days are numbered in Chicago, it really is a virtual certainty that Pippen’s day has arrived.Pippen was within the middle of all that went ideal for Chicago on Sunday.

With 27 seconds left in the third period and Jordan on the bench taking his customary end-of-the-quarter rest, Pippen stole an ill-advised crosscourt pass by Harper and took it in for a layup that gave Chicago its initial lead in the game, 78-77. Twenty-two seconds later he dunked the rebound of Sam Vincent’s missed layup, which had been setup by a further Cav turnover, and the Bulls led 80-77. And in a key six-point run late inside the fourth period that gave the Bulls a 100-92 lead with 2:58 left, Pippen hit a jumper in addition to a basket underneath sandwiched about a jumper by Dave Corzine. That, in impact, was the ball game. »It’s one of many greatest games I’ve ever seen a rookie play in the playoffs, » mentioned Chicago backup guard Rory Sparrow, who at 29 is amongst the handful of Bulls old adequate to possess a sense of history. The 6 ft. 7 in. Pippen’s eye-popping versatility will enable him overcome the damned-if-you-do, damned-if-you-don’t dilemma of getting around the very same team as Jordan.

When you take a shot or make a move to the basket that isn’t effective, then you must have passed off to Jordan. But for those who constantly ignore your individual shot in an all-out effort to set up Jordan, then you definitely are usually not offering him with substantial support. It’s an issue the Bulls have struggled with all year, and also the fact that Pippen was a pip inside a playoff game or that Corzine came through in the clutch (7 for 12 in the field) immediately after a horrendous start that included three first-half air balls doesn’t imply it is behind them.One particular must engage in statistical hairsplitting to argue that the Bulls are considerably enhanced over final year in spreading the offensive wealth: Jordan scored 35.4% of Chicago’s points in 1986-87, a figure that dropped slightly, to 33.3%, through the lately concluded standard season after which soared to 44.3% within the series against Cleveland.Nevertheless, the ears from the Bulls’ management positively burn when the phrase « one-man team » is uttered anyplace inside the vicinity. Which can be why Chicago general manager Jerry Krause could possibly be identified in the deliriously pleased Bulls locker space soon after Sunday’s triumph, buttonholing everyone in sight and saying, « One-man team, huh? No way! No way this can be a one-man team! »However, within the rush to praise the undeniable contributions of others, Jordan’s fine performance in Game 5 was virtually obscured. Yes, following going dunkless in Games 3 and 4, he had only one slam on Sunday — attribute that to fatigue as well as the outstanding defense of Harper and Craig Ehlo.

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And, yes, his ball handling was atrocious at times. He had seven turnovers, and throughout a single bizarre four-possession sequence in the third period, he threw the ball away 3 straight instances after which shot an air ball. But, as usual, the Bulls wouldn’t have been inside the game without the need of him.The Cavs had bottled up Chicago’s offense and led 39-29 3 minutes into the second period, when Jordan decided he had seen sufficient. He drove for the basket, got fouled and produced one of two free of charge throws. The following time downcourt, he drove to the basket, got fouled and produced certainly one of two. Next time down: drive, foul, made each. Exact same factor 19 seconds later. Then he dunked off an alley-oop pass from Pippen. Suddenly, Cleveland’s lead was only 41-37.No, the Bulls under no circumstances went exclusively to their Archangel Offense — « That’s exactly where we give the ball to Jordan and say, ‘Save us, Michael,’  » explains Chicago assistant coach John Bach, coiner with the term — but Jordan was nevertheless the answer towards the Bulls’ prayers additional frequently than not. And, oh yes, his 226 points were by far the most ever inside a five-game series.In truth, it really is remarkable that Jordan’s luminous presence hasn’t upset the Bulls more than it has this season. There have already been only minor eruptions, most of them from Mount Oakley. LeBron James Watch Posts Bulls make pitch, LBJ wears Air Jordans

By way of example, immediately after scoring just five points within a 97-91 loss in Game four, Bulls energy forward Charles Oakley had this to say: « I work really hard and do not get any plays known as for me. I am the top rebounder in the league (he completed second statistically to the Los Angeles Clippers’ Michael Cage this season, but his claim is almost certainly correct), and I’m getting pounded and pounded under the boards every night. I will do anything for the team. However they need to give me a thing back. »To his credit, Oakley stayed inside himself on Sunday, taking only 5 shots and acting like a human earth-mover under the basket as he grabbed 20 rebounds. Jordan, for his component, requires a sympathetic view of Oakley’s complaints. « It’s not really Doug’s play-calling a lot as how we execute the play, » Jordan mentioned Saturday. « Doug is trying, and has been attempting, to obtain us out of just relying on me. Everybody has an equal chance to score within this offense, but occasionally the other guys aren’t made use of to taking charge. We need to have extra of that.

That’s what we worked on in practice these days. »Evidently it had some effect. Jordan produced these comments as he tooled away from the Bulls’ practice facility at the Multiplex in suburban Deerfield in his white Porsche 911 turbo. Behind him he had left a dozen or so interview seekers, anything he doesn’t like to do. But his back was aching, the outcome of a muscle pull suffered in Game three, and he required rest. As Jordan cruised slowly behind a mall close to the Multiplex, two cars suddenly caught him and actually cut him off from each sides. Jordan looked resigned as he coasted to a cease. Two autograph seekers jumped from the vehicle on his proper while a young man begging for any moment of Jordan’s time emerged in the one particular on his left. « Michael, please, this is important for me and also you, » he mentioned.Jordan gave a reluctant nod, and immediately the man made a blue sweat suit to which he had affixed an Air Jordan logo. « Michael, have a look at this! » he stated. « Nobody’s producing these. Michael, we’ve got to talk. Please!

Air-Jordan-3-Retro-03

Can we speak? » Jordan took the man’s phone number. (The next day, just after Game 5, Jordan reported that he had returned the call but had begged off the deal.) « It ever strike you which you have a bizarre life? » Jordan’s passenger asked him as he drove off. « Sometimes? » said Jordan. « Believe it or not, that wasn’t all that unusual. »Jordan is often a man who seems to have the lots of and varied pieces of his life in order. He handles himself off the court along with he handled himself around the court this season, and that is saying anything. When it’s correct that, as the Cavs’ Ehlo says, « He has different expertise than the rest of us, » it really is also accurate that Jordan has exceeded everyone’s excessive expectations for the reason that he has by no means stopped enhancing.

His .535 season shooting percentage, absurdly high for a guard who averaged a league-high 35.0 points per game (last year’s figures have been .482 and 37.1), is testament to that.Or consider his defense. He is the very first player in NBA history to lead the league in each scoring and steals (3.16 per game). « There’ve been a lot of occasions that Doug has place me on somebody to quit him, » says Jordan. « I played Alex English, I played Magic Johnson. Doug nonetheless hasn’t let me on Larry (Bird), although. That’s the 1 I am waiting for. »Jordan obviously hopes to get his likelihood inside the Eastern finals ond-round series against Detroit, which started Tuesday evening, loomed as a giant obstacle, one that would put to a test the assertion of an exuberant Pippen on Sunday: « Now we know we’re not a one-man group anymore. »As Pippen along with the rest of the Bulls know complete well, the obstacle may be overcome only by Team Chicago, not only Group Michael.

Category: nouvelles

At the End, a new Start out

On Wednesday morning, the last day of Paris Style Week, a throng of attendees arrived in the Cour Carrée from the Louvre a half-hour early to wait in line for Nicolas Ghesquière’s debut collection for Louis Vuitton.

For many in the crowd, it was the return of your prodigal son following his sudden and bitter departure from Balenciaga and its parent company, Kering (then called PPR), in addition to a year and a half of wandering in the fashion wilderness.

“It’s a very exciting day,” Anna Wintour, the Vogue editor, mentioned a handful of minutes ahead of the show. “You can feel the energy in the area.” Louis Vuitton celebrates 150 years of luxury – New York Times

The elaborate sets favored by Marc Jacobs, Mr. Ghesquière’s predecessor as artistic director of Louis Vuitton, were nowhere to become found. Rather, Chlo? Sevigny, Kate Mara, Catherine Deneuve and Cindy Sherman were faced with plain benches inside a steel-sheathed show space. At the soundtrack’s very first drumbeat, the metal shutters clicked open, and for the initial time because Mr. Jacobs developed ready-to-wear for Louis Vuitton in 1997, a brand new light streamed in.

It was a offered that Mr. Ghesquière’s debut will be closely watched by editors, even in the quite end on the monthlong collections marathon that had taken them from New York to London to Milan and lastly to Paris. Besides bringing Mr. Ghesquière back into the style fold, the hiring on the 42-year-old designer was one particular more gauntlet thrown in the competitive fight between LVMH and Kering, the two dominant names in global fashion.

Additionally, it continued to elevate the profile of Delphine Arnault, the executive vice president at Louis Vuitton plus the daughter with the LVMH chairman, Bernard Arnault. She is said to have personally recruited Mr. Ghesquière (together with the designers Nicholas Kirkwood and J. W. Anderson) to LVMH, and is increasingly tipped as certainly one of her father’s prospective successors.

Soon after the show, which incorporated wearable A-line skirts and cropped sweaters, shiny high-waist pants and Chelsea boots, the crowd was not disappointed. (Neither, apparently, was the Twitter universe; greater than four,000 tweets regarding the show were posted more than a three-hour period on Wednesday morning.)

“It was quite him, it was really Nicolas,” stated Ms. Sevigny, who favored Balenciaga in Mr. Ghesquière’s early days there. “I was curious with how he was going to fit into the Louis Vuitton world, if he was going to have to bend at all. He didn’t. He kept genuinely accurate to his voice and infused it with Nicolas.”

As could be anticipated, Ms. Arnault seemed pleased with what she had just observed.

“He’s a genius,” she said right after the show, creating her way by way of a scrum of backstage well-wishers. “So wonderful.”

Mr. Ghesquière, perhaps probably the most respected designer of his generation, had left a conspicuous void within the world of style given that his abrupt and unceremonious exit from Balenciaga, his property of 15 years, in November 2012. His tenure in the house was unquestionably influential. Tom Ford has stated that he “single-handedly resurrected” Balenciaga, and complete blogs sprang as much as slap his copycat peers around the wrist, reminding them that Balenciaga Did It Very first.

Mr. Ghesquière didn’t shy away from reminding them, either. The soundtrack for the Vuitton show included “Copy Cat” by Skream, which starts, “Oh come here, copycat! You are my puppet, you understand I appreciate it!”

“We believed the lyrics were a bit sharp, but it’s Paris, baby,” stated the D.J. Michel Gaubert, who selected and mixed the music for the show.

Nicole Phelps, the executive editor of Style.com, stated: “Certainly there are designers who belong towards the Balenciaga school, who grew up when he was operating the place and took their cues, apparent and subtle, from him. I believe Alexander Wang along with the Proenza Schouler designers had been in the perfect age to become looking at him. He was their god in a way.” (Mr. Wang in the end succeeded him as the designer of Balenciaga.)

Mr. Ghesquière’s departure from Balenciaga was marked by uncommon viciousness. Immediately after months of silence following his exit, Mr. Ghesquière gave an interview to a new British fashion magazine, Method, in which he was not sort to his corporate bosses at Balenciaga, which is owned by Kering. Inside the interview, Mr. Ghesquière said that he “began to really feel as though I was being sucked dry, like they wanted to steal my identity although trying to homogenize items. It just wasn’t fulfilling any longer.”

Louis-Vuitton-Pegase-50-Red-M91991

The business reportedly fired back with a lawsuit that mentioned he violated their separation agreement, and sued Mr. Ghesquière for a reported 7 million euros, about $9.six million. (His collaborator, the stylist Marie-Amélie Sauvé, can also be stated to become named in the suit.) Oral arguments are anticipated to start in July.

Mr. Ghesquière’s move to LVMH and its star home, Louis Vuitton, was the employ heard round the style globe when it was announced final November. Regardless of the lingering uncertainty on the suit, Mr. Ghesquière received a hero’s welcome in the editors massed in Paris.

“I feel it’s been remarkable just how much we’ve missed him,” stated Anne Slowey, the fashion news director of Elle. “The last time I got this excited about a show was when YSL had his retirement.” That was in 2002.

“I assume Paris has felt somewhat emptier,” stated Nina Garcia, the creative director of Marie Claire.

Designers, too, acknowledged his absence. Many, including Jean Paul Gaultier, Azzedine Ala?a and Mr. Anderson, attended the show. “I think he puts items into perspective and type of stimulates an market,” Mr. Anderson mentioned.

Mr. Jacobs, more than the course of 16 years at the home, wrote the book on style at Louis Vuitton, which he made for the initial time when he was appointed. He turned a historic trunk maker into a globally relevant style brand, complete with It bags, celebrity campaigns and a must-see fashion show. But Michael Burke, the chief executive on the 160-year-old corporation, permitted that the company’s point of view below Mr. Jacobs was “not as focused since it necessary to become.”

“What Nicolas is going to be carrying out is generating a much more focused vision of who the Vuitton woman is,” he mentioned in an interview in the label’s Rue du Pont Neuf headquarters. “That’s going to become his challenge. This really is some thing that Marc was less focused on. Marc was far more focused on the moment, not on defining a more timeless woman. Actually some days just before the show, he could totally modify his mind because it was not of this week. Nicolas will not operate that way.”

Asked if a move away from the capriciousness of style may have adverse consequences to get a enterprise built on a constant supply of new tips, Mr. Burke mentioned: “If you understand how this psyche of the luxury client operates, the answer is clearly no, the opposite. The luxury client does want a clear point of view in the brand, and also the luxury client does choose to possess a long-term partnership using the home. That does demand taking a stand and saying that is who we are, and this really is who we’re not.”

What Louis Vuitton is, in significant part, is often a leather-goods corporation, and one of many most lucrative luxury brands in the planet, with profit margins approaching 40 %, as outlined by Forbes. “The vast majority in the small business is in leather handbags and leather accessories,” mentioned Luca Solca, a luxury analyst at Exane BNP Paribas.

Ready-to-wear has historically been much less visible off the runway. A popular complaint about Marc Jacobs’s ready-to-wear collections was that they were hard to discover at Louis Vuitton retailers; based on different analysts, ready-to-wear tends to make up only a tiny fraction of Louis Vuitton’s sales. To those girls for whom Balenciaga by Nicolas Ghesquière was an unofficial uniform, that is a dispiriting believed.

“I believe the following challenge for Vuitton will probably be to take the ready-to-wear collection, and ensure females around the globe can put on it,” stated Natalie Massenet, the founder of Net-a-Porter. “We desire to wear his clothes.”

Mr. Ghesquière, asked no matter whether he hoped to turn his concentrate back onto ready-to-wear and onto accessories, mentioned: “I think that’s what I began right now. It is a silhouette now. It’s not just bags or only garments, it’s a silhouette. It has to be a whole appear.”

How that look will be felt off the runway and in the stores remains an open query, each of the additional so simply because tension amongst inventive and company interests was a contributing factor in his departure from Balenciaga. (Mr. Ghesquière stated as substantially in his Method interview.)

“I assume that is someplace Ghesquière seemed to struggle,” stated Imran Amed, the founder and editor of your sector site The Enterprise of Style. “There was that 1 really productive bag, the Lariat bag. But it is really hard to name a series of solutions from Balenciaga. The real test for Vuitton will be how they channel the creativity of Ghesquière into desirable items.”

But as a result of its significant catalog of perennially salable bags and leather goods, there’s arguably much less pressure on Mr. Ghesquière to deliver a new, immediate hit. In actual fact, Mr. Solca, the analyst, mentioned, “I think what the new designer contributes is generating a buzz and excitement around the brand, but it is not necessarily material from a business standpoint.”

The buzz Wednesday morning might have been practically deafening, but (“Copy Cat” aside) Mr. Ghesquière took a far more humble tack just after the show. The message he wanted to convey with his first collection was the “harmony” amongst himself and also the brand. Vuitton at its core might be about travel (Louis Vuitton himself was a trunk maker, soon after all), but he has rooted his take around the label close to property.

“It’s just my vision around the extraordinary,” he stated. “Sometimes we forget what is stunning about us. That’s why I wanted the shutters to open at some point on the show, to say, here we’re, that is the Cour Carrée du Louvre. It is a lovely reality.”

The most recent Style Accessory Is definitely an I.P.O.

An initial public offering rather of a contract. LVMH might have identified an original strategy to maintain close the hot designers that created it worth 75 billion euros and designed the world’s largest luxury group.

Marc Jacobs, the inventive director of Louis Vuitton, is leaving after a 16-year stint. He will focus on the prospective I.P.O. of his fast-growing namesake brand. Investors had been not amused in the news and shaved greater than 1 billion euros from LVMH’s market worth. Coincidentally, which is just about what the Marc Jacobs label could be worth, based on preliminary analyst estimates hampered by a lack of dependable numbers. The young brand is co-owned in equal parts by LVMH, Mr. Jacobs and his business enterprise partner, Robert Duffy.

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LVMH, that is facing slowing development and has drastically underperformed its competitors plus the French CAC 40 stock index over the final year, is in the midst of a strategic and generational alter. Many designers have moved, or been moved, in recent months. The company’s founder, Bernard Arnault, desires to take Louis Vuitton – a quarter of LVMH’s sales and perhaps half its operating profit, analysts estimate – up market by reducing its reliance on its world-famous, high-markup waxed canvas bags. Mr. Arnault, a French billionaire, lately chose a brand new chief executive for the brand and appointed his personal daughter as executive vice president, amid substantially criticism. But he owns 46 percent with the group and, at 64, clearly has dynastic designs for its future. Holiday | The Daily Gift: Cassina x Louis Vuitton Chaise Longue – NYTimes.com

It is significantly too early to understand regardless of whether the concept of listing one of many company’s hottest brands will serve as a precedent within LVMH or as a model for other individuals, like its rival Kering, the owner of style homes like Gucci, Saint Laurent and Stella McCartney. The style organization includes a tradition of young talented designers developing and nurturing eponymous brands inside the umbrella of a sizable group when taking on the job of rejuvenating the grand names of style within the parent’s stable. LVMH is taking this a step additional: permitting couture stars to enjoy far more independence and larger rewards while sharing within the positive aspects of their endeavors. Nevertheless it won’t develop into a tradition ahead of Marc Jacobs – the firm – shows that it may fly on its own.

Category: nouvelles

Starbury Says ‘Enough’ to High-Priced Sneakers

Sneakers nowadays are a hot fashion item. Hip-hop stars like Nelly rap about their Nikes in songs like « Air Force Ones, » named soon after Nike’s best-seller.

Children get robbed for their sneakers, or worse — some have even been killed.

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‘Sneakerheads’
Sneakers are such a status symbol right now that « sneakerheads, » as they contact themselves, spend numerous dollars for custom-painted or vintage sneakers. They collect to get, sell and trade sneakers at conventions like Dunkxchange, which stages shows across the country. Jordans Furniture In Jobs rCareers

How did the uncomplicated sneaker change from a canvas and rubber factor that allows you to run in comfort to today’s $100-plus high fashion statement?

It began 20 years ago when Nike signed basketball superstar Michael Jordan and after that hired movie director Spike Lee to make a series of commercials for Nike’s Air Jordan line. The ads popularized the catchphrase, « Money, it really is gotta be the shoes! »

And this led to a planet exactly where several little ones think « the shoes » aid stars like Jordan play so nicely. They think about $100-plus sneakers, even $200 sneakers a necessity.

« Suddenly sneakers became a status symbol, when previously, they had been just totally utilitarian factors to place in your feet once you ran around the street, » stated Stuart Elliott, advertising columnist in the New York Instances.

« Nike came along and began to sell sneakers inside a completely diverse way, via talking about fashion, and also the notion that the sneaker helped you run more rapidly or jump larger began to permit them to charge a lot more for it, » Elliott told me.

« If the sneaker was in vogue this year and could be out of style next year and you wouldn’t would like to be caught dead on the street with it, then they’re able to charge each year when they modify the styles. »

Nike as well as other brands have produced millions off of this ridiculous conceit. Now Nike even has shops that sell $2,000 sneakers, created of anaconda snake or crocodile with 18-karat gold accessories.

‘Starbury’ Had Enough
Enter Stephon Marbury, the NBA star with the New York Knicks, normally referred to as « Starbury. » He grew up poor, within a housing project in New York City. Marbury, one particular of seven kids, wanted Air Jordans as a kid but for his mother, he says, that was an automatic « no. » Jordans Furniture Jobs Careers in Nashua, NH

« She just wasn’t spending that form of dollars for sneakers, » Marbury stated. But he had to beg for all those sneakers. « Because it was just the shoe to have. It was a fashion statement, » Marbury said.

« Two hundred dollars was $200. It was lots of dollars. It was a sacrifice, » mentioned Mabel Marbury, Stephon’s mother. « Anybody that would take their funds and get a pair of sneakers and don’t have no food in their property — is silly. »

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So when Marbury became Starbury, earning $17 million a year, he stated « enough » — he would come out having a line of sneakers that sell for significantly less than $15. He teamed with Steve & Barry’s University Sportswear, a national chain with 200 shops, and came out with the Starbury line of sneakers, hats and jerseys. Nothing sells for more than $14.98.

« I think Stephon’s own involvement is probably key here, » stated Michael Atmore, editorial director of Footwear News. « There’s never been a big name athlete that’s come out and stated you do not need to pay as much. And that’s what Stephon is doing. »

Marbury created a 40-city tour when the sneakers debuted and Atmore credits that for the shoe’s success. « He showed the customer that he was behind it. And I think that’s critical for children to connect to this brand. »

Teenage ‘Sneakerheads’ Bet Thousands on High-Stakes Sneakers Trade

Two teenage boys eye rows upon rows of sneakers, sizing each up for rarity and signs of use. 1 with the boys points to a pair of limited-edition Nike Yeezys and mentioned he is buying them for a friend.

« How much is he paying for it? » asks the seller, 15-year-old Alex Asfar.

« 16, » the boy responds.

After they say « 16, » they mean $1,600.

« 16, there you go, » Alex mentioned, counting the wad of cash and handing over the footwear.

These children are called « sneakerheads » — sneaker-obsessed teens who run an aftermarket boom of limited edition kicks, buying and selling at prices in thousands and all with their own income.

Each and every sneaker sale is a potential profit and Alex is a master negotiator.

« It keeps getting bigger, » he says, thumbing by means of a stack of bills. « I can’t fit it in my wallet anymore. »

Another sneakerhead is Brandon Buscanera. At just 12 years old, he made $100 in one day, which he calls « good for a single day’s work. » Now, he says, he has the cash to go buy more sneakers.

« It’s a cycle — obtain, sell, trade, » Brandon says. « It’s kind of a hobby. .. It’s extra of an addition, for the love of your game. »

It all started with Michael Jordan. Within the ’80s, when Nike convinced us Air Jordans could make us fly, having them in your feet became a status symbol. To some, the shoes had been worth whatever price it took — including murder.

In 1989, 1 boy was strangled for his pair of Jordans. Another kid was shot. The story hit the front page of « Sports Illustrated. »

Since then, the size with the athletic shoe market has a lot more than doubled to $21 billion a year inside the United States alone, which is why Alex and his father, John Asfar, can be found leaving their property in Middletown, N.J., at 6 a.m. on a Saturday to drive to a sneaker convention an hour away in New York City. Along the way, they picked up Alex’s friend and fellow sneakerhead, Brian.

Once they arrive, the Alex and Brian got to work, setting up shop at a table they paid for with some friends. Soon, it was on. The two go into a flurry of negotiation tactics and bargaining, as hundreds of dollars trade hands.

It quickly becomes apparent that Alex knows this game nicely. He has brought a pair of glow-in-the-dark signature footwear of NBA star Lebron James that he bought for $250 and sells at the convention for $340.

But in this planet of sneakerheads, a man who calls him DJ Clark Kent is the president. He owns at least two,500 pairs, rarely wearing the same shoe twice. A legend among the sneakerheads, Kent says he got into the shoe game three decades ago. Back then, he says, children wanted the footwear, but currently kids want the glory of your sale.

« These kids now do not seem like they want the shoes, they want the issue that goes along with having the shoes, » Kent says. « Somebody figured out that there’s dollars for a pair of sneakers for the reason that of the hype. »

The hype is generated by Nike, which denied « Nightline’s » requests to talk about its marketing strategy. The company only makes a limited supply of prized sneakers and so when a new 1 is released, the frenzy ensues along with the price goes up.

In recent years, the demand has gotten out of control. Children camp out in front of shoe stores waiting to the limited editions. In some cities, riots have broken out.

Nike had to rethink its strategy to quell the violence so they now place their hottest shoes for sale online — opening sales for the new kicks on Saturday mornings.

Jordan Sneaker Dispute Spotlights College Sponsorship Business

How important is a college freshman’s footwear to his university? When the college is the University of Central Florida and also the freshman is Marcus Jordan, the answer is very.

Jordan, the son of NBA legend Michael Jordan, has produced waves by declaring he wants to wear his father’s namesake Air Jordan sneakers, produced by Nike, instead of the Adidas shoes mandated by a sponsorship deal between UCF as well as the Germany-based company. Whether Jordan will be able to follow via on his preference remains uncertain. The drama, meanwhile, has opened up a window into the money-driven world of college sports sponsorships.

Since the 1980s, corporate sponsorships of college athletic programs have grown to be a major source of revenue for universities. Experts say that sports sponsorship agreements can net a school as much as $5 million or even $10 million in free apparel, sneakers, gear and cash, depending on the university’s size. They are able to prove a reliable source of revenue, especially in uncertain economic occasions such as these.

« The amount of revenue you can make from your sports team can rival the amount you can make in tuition, » stated Boyce Watkins, a finance professor at Syracuse University.

Exactly how much UCF receives through its Adidas deal, which dates back to 2005 and is up for renewal next year, is unclear. The Orlando Sentinel has reported that the current contract is worth $1.9 million and that a new contract could be worth as much as $3 million, but university officials dispute those figures.

Adidas did not immediately respond to ABCNews.com questions about the contract.

However much UCF receives from Adidas, the university has made clear that it values the deal.

« There is a great deal of respect for the Adidas brand plus the partnership, » the university stated in a written statement.

It informed Adidas « of this unique set of circumstances since the start of Marcus’ recruitment to play » at the university, UCF associate director of athletics Joe Hornstein said in an e-mail to ABCNews.com. « We are confident, with our long-standing positive relationship with Adidas, that the subject will be worked out amicably. »

Unlike professional athletes, college athletes usually have little choice about what sponsorships they take part in, but that rarely leads to disputes between the athlete and their university, stated Andrew Zimbalist, an economics professor at Smith College and the author of « The Bottom Line: Observations and Arguments on the Sports Business. »

« Most college athletes, even though they might be disturbed or bothered or even outraged by an issue like this, they do not have the time and they never have the income to pursue it, so they just let it go, » he mentioned.

One particular case where a college was taken to task for its sponsorship dealings was that of James Keady, an assistant soccer coach at St. John’s University, who claimed he was forced to resign just after refusing to wear Nike apparel.

Under a multimillion-dollar deal between St. John’s and Nike, both university coaches and athletes have been to wear the sportswear giant’s clothing. Keady mentioned he objected to Nike’s treatment of workers at overseas factories. He later sued Nike and St. John’s, but the lawsuit was dismissed.

Jordan’s case « doesn’t seem like such a pressing social issue, » Zimbalist said, but, « nonetheless, it is a conflict. »

Michael Jordan apologizes over shoe

Tony Wroten pivoted and spun away from the baseline toward the lane — and lost the sole of his shoe.

For his experience, the Philadelphia 76ers shooting guard says he received an apology from Michael Jordan, whose Nike Air Jordan 10 sneaker split apart last Friday in the loss against Indiana.

« It was extra embarrassing than anything, » Wroten stated Wednesday, according to the Delaware News Journal. « But items happen. I got an apology from Jordan. Yeah. … He referred to as my agent. »

On the play, Wroten, 20, drove the left baseline and in his wake left the sole of his white Air Jordan as he pivoted to spin to his right.

Play was briefly stopped, and Wroten ran to the locker room and retrieved a black pair.

It was the third time in less than a month that an NBA player’s shoe broke apart midgame. According to The News Journal’s report, Manu Ginobili’s and Andrew Bogut’s hightops had been also Nikes.

The loss to the Pacers was the 76ers’ 19th in a row, a streak they extended Wednesday against the Chicago Bulls with their 22nd straight loss — four shy in the NBA record for the longest single-season losing streak. Philadelphia looks to halt the streak Friday night at home against the New York Knicks.

The Cleveland Cavaliers set the mark with 26 straight losses in 2010-11.

But news of Jordan’s apology hasn’t been the only highlight during an otherwise miserable season for Wroten, who just after Wednesday night was averaging 13.5 points in 24.5 minutes per game in his first full season, which includes 15 starts in 61 games.

« Everybody loves starting. It is just a different feel, » Wroten stated, according to The News Journal. « Personally, speaking for myself, I like starting better than coming off the bench. I feel like I play better that way. But with me, it’s just a position that I’m at the two.

« It’s not like when I get the rebound I just pass it to Mike. »

Michael Carter-Williams, that is, although Wroten and the 76ers likely would not turn away « His Airness » — or, even now, his shoes.

Category: nouvelles

Japanese yen for any superior pair of employed Nikes

TOKYO (CNN) — The winged goddess of victory is presently winning the battle for the feet of Japan’s young people, who pay soaring rates for Nike sneakers.

The footwear are in such demand, they don’t even have to be new to command large cost tags. Utilised pairs are marketed in some retailers as « first editions. »

NIKE AIR MAX 90 PREMIUM ATMOS EXCLUSIVE

« First edition Michael Jordans are our most expensive, » stated one shoe salesman. « They sell for almost $900. »

At a further utilised sneaker shop, the story is substantially precisely the same.

« We often sell dozens of these shoes per day — these Jordan Fives are our most highly-priced footwear, they go for about $600, » mentioned the sales clerk.

The customers’ reasoning for forking it over may sound familiar. Liberty Print Air Max 1 Trainers – Nike x Liberty – Telegraph

« Nike tends to make by far the most comfortable sneakers, » stated a single young lady.

Just put, « they are cool, » stated a young man.

The latter sentiment is almost certainly what is driving Nike rates sky higher in Japan.

« It became like a game and they didn’t care how much it expenses, » said Hidehiko Sakai of Nike Japan. « Nike kind of became like a status symbol amongst youngsters. »

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The granddaddy of this exclusive Nike status will be the ’95 Air Max Yellow, which retails at authorized Nike shops in Japan for about $150 and substantially more at private shops.

« When we get new Yellows in, they go for greater than $2,000. We sell them as soon as they hit the shelf, » stated a shoe retailer sales clerk. Imperial Purple Liberty Print Air Max 1 Trainers – Nike x Liberty – Telegraph

kid
There are growing reports of that as soon as the Yellows hit the street, they become targets for thieves. One particular customer sporting a pair mentioned that thought made him uncomfortable.

« I see plenty of persons who appear like they want my shoes, » the young man said. « I get nervous if as well many men and women surround me. »

The shoe maker, whilst enjoying its recognition, is wanting to bring the costs back down to earth, stated Nike’s Sakai.

Nike Air Max 97 Premium Tape BLUE ZEBRA

Nike is doing their Premium Tape Zebra series ideal, dropping colorway soon after colorway of classic Air Max runners with both efficiency and aesthetic updates. Subsequent up, the Nike Air Max 97 Premium Tape Blue Zebra.

The upgraded upper goes entirely two-tone blue, with navy-on-light-blue zebra stripes adorning the lowest panel ?a the mudguard, I suppose ?a and providing strategy to navy mesh sandwiching light blue seams. The ?°seams?± in query are naturally Hyperfuse taping, eliminating stitching in favor of a largely seamless construction.

Beneath, a white midsole contrasts, equipped with ample visible Max Air for superlative cushioning.

Now dropping overseas, we?ˉre still awaiting a US release announcement. Keep tuned for facts as they create.

Nike Air Max 98 Retro Scheduled?

I don?ˉt want to get anyone unduly excited right here, so I?ˉm not making promises. I?ˉm not sure if there is a Nike Air Max 98 retro scheduled for 2014. Truth be told, this can be the initial I?ˉve heard of it.
That being said, these ostensibly new photos were passed along to me and . . . see for yourself. It?ˉs surely three colorways from the classic (if underrated) turn-of-the-century running model, with its leather overlays, inset mesh, full-length Max Air bag and just an general special aesthetic. Rather faithful to the original, as well. They?ˉre even carrying a seemingly genuine style#.

So, take it for what it?ˉs worth, grain of salt and all that. But if a images worth a thousand words, there are 3000 under. RemainObtaining debuted in restricted quantities under Nike?ˉs super-premium ?°SP?± designation, the Nike Air Max Motion will return in 2014 having a bit less exclusivity, generating the neck-breaking model more widely accessible the globe more than.

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The premium shoe will add a printed-on Swoosh just behind the midfoot this time around, adorning its signature one-piece, amply-perforated leather upper. That can once again sit atop a 360 Max Air bag, though on these 3 particular colorways those Air Soles will don a gradient fade.

Contrast Flywire finishes off each and every shoe, carried out up in a colour that matches the Swoosh, tongue-script, and components in the Air bag.

Stay tuned for firmer release information as the shoe approaches, and a couple extra colorways within the nextPhotographs

Category: nouvelles